MEYER SOUND LEO-M LINEAR LINE ARRAY LOUDSPEAKER

Large line array loudspeaker – designed for long-throw applications where maximum power is required, such as largescale tours and installations.

• Dimensions: 44.42″ w x 17.85″ h x 23.00″ d (1128 mm x 453 mm x 584 mm)
• Weight: 265 lbs (120.2 kg)
• Acoustical: Operating Frequency Range: 55 Hz – 16 kHz; Phase Response: 375 Hz – 14 kHz ±30°
• Transducers: Low Frequency: Two 15″ long-excursion cone drivers; High Frequency: Two 4″ compression drivers
• Amplifier: Type: 3-channel complementary MOSFET output stages (class AB/H bridged); Total Output Power 9900 W Peak

Clay Paky SCENIUS UN1CO

The Scenius Unico is the latest addition to the Scenius family, therefore its first highly appealing feature is the quality of its light (1400W Osram lamp, 6500K, very high CRI). It is a magnificent spot light for projecting effects, with six rotating gobos, a rotating prism a beautiful animation wheel, and it is equipped with the most sophisticated and most precise framing system on the market today. The Scenius Unico is also an excellent wash light, since it features a system with different diffusion filters, which may be inserted gradually. However the most amazing feature is that the Scenius Unico can also generate a powerful narrow beam of super concentrated light, with a minimum beam angle of only 5 degrees.

• Multifunctional light
• 1400W Osram discharge lamp
• 6500 K output color temperature
• Very high CRI
• 180 mm Ø front lens
• 5°- 55° linear zoom
• Focus tracking system
• CMY System + Linear CTO
• 7-color wheel
• Framing System operating on 4 focal planes
• Framing System rotation on 90°
• 6 rotating gobos
• Rotating Prism
• Graphic animation wheel
• 16 blades fast Iris
• Variable “soft edge” frost
• Variable flood frost
• Very precise 0-100% dimmer
• Fast stop/strobe effect
• Light can be run at 1400W or1200W
• Art-Net / RDM

MEYER SOUND LYON LINEAR LINE ARRAY LOUDSPEAKER

Mid-sized line array loudspeaker in the LEO Family – ideal for applications where high power is required, such as medium-to-large-scale tours and installations.

• Dimensions: W: 38.15 in (969 mm) x H: 14.85 in (377 mm) x D: 21.00 in (533 mm)
• Weight: 199 lbs (90.3 kg)
• Acoustical: Operating Frequency Range: 55 Hz – 16.5 kHz; Phase Response: 80 Hz – 16 kHz ±30°
• Transducers: Low Frequency: Two 12 in long-excursion cone drivers; High Frequency: Two 3” compression drivers.
• Amplifier: Type: 3-channel complementary MOSFET output stages (class AB/H bridged); Total Output Power: 8500 W peak

Clay Paky SHARPY PLUS AQUA

The powerfully bright IP65 Sharpy Plus that is not afraid to play in the rain

Designed in the spirit of the award-winning Sharpy Plus platform, the SHARPY PLUS AQUA luminaire is an IP65-rated moving head fixture perfect for outdoor events, touring, permanent installations, cruise ships, and much more. This new fixture maintains the same performance features of its predecessor, the Sharpy Plus luminaire, in a new weather-resistant package; giving you greater flexibility in a single luminaire.

When designing a weather-resistant moving light, performance and features are often sacrificed. Not with the SHARPY PLUS AQUA luminaire. Claypaky addressed and enhanced the design of the SHARPY PLUS AQUA in critical areas to make sure this fixture maintains the brightness, efficiency, and performance you need and expect.

The cooling system was redesigned and optimized specifically for this new outdoor configuration for the Osram Sirius HRI® 330W X8 lamp currently used in the Sharpy Plus fixture. This lamp is a proven performer in its reliability, output, and being consistent in both brightness and colour temperature.

Just like the Sharpy Plus, the SHARPY PLUS AQUA fixture offers two distinct operating modes – beam or spot. The 3° to 36° zoom covers the entire zoom range linearly with a beam that is always perfectly sharp and uniform in either mode. The SHARPY PLUS AQUA offers the same complement of prisms, rotating and static gobos, colour wheels, CMY colour mixing, and more. So, if you need to use both the Sharpy Plus and SHARPY PLUS AQUA on a production, you can be assured of a consistent look and performance from these fixtures.

The SHARPY PLUS AQUA is also an appealing unit when you consider the value. At a price point every rental company will appreciate, you can take home a light with truly excellent performance, which you can use in a wide range of environments and entertainment venues, whether your requirements are for a beam or spot fixture, for indoor or outdoor applications.

• Moving head fixture for outdoors (IP65 protection rating)
• Source: Osram Sirius HRI® 330W X8 arc lamp
• Two projection modes: Beam and Spot
• 3°- 36° linear zoom in both modes
• CMY colour mixing | 15 colours on 3 wheels | 2 CTO filters
• Rotating Gobo Wheel: 8 glass gobos
• Static Gobo Wheel: 18 static gobos (including 6 beam reducers)
• Rotating 4-facet prism on dedicated channel
• Rotating 8-facet prism on dedicated channel
• Animation Wheel
• Linear, soft edge frost filter
• Dimmer and stop/strobe

Clay Paky Scenius Spot

Scenius is the new moving head spotlight at the top of the Clay Paky range. Its advanced optical unit and the new 1400W OSRAM discharge lamp provide a much higher light output than with previous generation 1500W lamps. Thanks to its wide 8°-48° zoom, Scenius is perfect for every use. A modern focus tracking system concentrates maximum luminous efficiency precisely on the effect you wish to project, and the focus may be set to be fully automatic.

With Scenius you have a light in your hands whose white light and color reproduction fidelity will completely amaze you. The fixture produces a 6500 K output color temperature that does not vary over time; also, Scenius can count on a very high CRI, which is extremely unusual for a metal halide light source. The colors cover a broad spectrum, even including pastel shades, thanks to a CMY system, a 7-color wheel and a linear CTO filter.

The special effects are of course top-ranking: 2 rotating gobo wheels, each with 6 interchangeable gobos, a rotating prism and an interchangeable graphics wheel for spectacular new effects, a highly precise iris. The fixture can also be used in wash mode by inserting a new design of frost filter. It can be run at 1400W or in energy saving mode at 1200W.

• 1400W OSRAM discharge lamp
• 8°-48° zoom
• Focus tracking system
• 6500 K output color temperature
• Very high CRI
• CMY System + Linear CTO
• 7-color wheel
• 2 Wheels with 6+6 rotating Gobos
• Rotating Prism
• Interchangeable Graphics Wheel
• 16 blades fast Iris
• Variable “soft edge” frost
• Variable flood frost
• Very precise 0-100% dimmer
• Fast stop/strobe effect
• Light can be run at 1400W or 1200W
• Art-Net / RDM
• Quiet, reliable and road-ready
• Weight: 38 Kg

MEYER SOUND LEOPARD COMPACT LINEAR LINE ARRAY LOUDSPEAKER

The LEOPARD compact linear line array loudspeaker reproduces audio faithfully with tremendous power, superior intelligibility, and extremely low distortion.

• DIMENSIONS: 26.93 inches (684 mm) W 11.11 inches (282 mm) H 21.66 inches (550 mm) D;
• WEIGHT: 75 lbs
• OPERATING FREQUENCY RANGE: 55 Hz – 18 kHz
• PHASE RESPONSE: 92 Hz – 18 kHz ±30 degrees
• TRANSDUCERS: Low Frequency: Two 9-inch long-excursion cone drivers; High Frequency: One 3-inch compression driver coupled to a constant-directivity horn through a patented REM® manifold
• AMPLIFIER: Type 3-channel, open-loop, class D

Clay Paky Mythos

Mythos is a highly advanced form of hybrid light: first of all, it is an excellent 470 watt-lamp spotlight, which produces an outstanding large light beam, featuring a zoom that ranges from 4° to 50° (1:12 ratio).

Light beam is sharp, with perfectly defined edges, from the first millimetres after the front lens right along its entire length. The zoom is optimized for focusing, which is separate from that of the fixed and rotating gobos. Its movements are smooth, fast and very quiet. Mythos also features a completely redesigned indexed visual effect disc, which may be superimposed on all the gobos, both in and out of focus.

But Mythos is also an extraordinary beam light, allowing you to switch to a minimum fixed beam angle of just 2.5°. A large, very dense, 160 mm-diameter light beam leaves the Mythos’s front lens and remains parallel for its entire length even at great distances.

Mythos is a very versatile tool, which is useful in any situation and therefore an excellent investment.

• 470W discharge lamp (new version)
• Large 160mm diameter front lens
• Electronic focusing for a perfectly sharp light beam along its entire lenght
• 4°- 50° electronic zoom (Spotlight mode)
• 2.5° aperture and “pipe” effect (Beam mode)
• CMY color mixing with gradually fading color wheels
• 15 special color filters on three wheel
• 2 CTO filters (3200 K and 2500 K) + 1 CTB filter
• Wheel with 6 HQ dichroic rotating gobos
• Wheel with 18+1 fixed metal gobos
• 6 beam reducer filters on the gobo wheel
• Advanced visual effect disc (animation disc)
• 2 indexable rotating prisms (8-facet and linear 4-facet prism)
• Frost filter for soft-edge projection
• High precision dimmer and stop-strobe effect
• Rapid and extensive pan and tilt movements
• High performance electronics and firmware
• Art-Net / RDM
• Patented Italian Design

MEYER SOUND MILO HIGH-POWER CURVILINEAR ARRAY LOUDSPEAKER

MILO can be paired with the M3D line array for very large venue applications, or transition to M2D compact curvilinear array loudspeakers for near field coverage where appropriate.

• Operating Frequency Range: 60 Hz – 18 kHz
• Free Field Frequency Response: 65 Hz – 17.5 kHz ±4 dB
• Transducers: Low/Low-Mid Frequency: Two 12″ cone drivers with neodymium magnets; Mid-High Frequency: One 4″ compression driver; Very-High Frequency: Three 2″ compression drivers
• Amplifiers: Type: Complementary power MOSFET output stages (class AB/H)
• Output Power: 3935 W
• Dimensions: 54.00″ wide x 14.47″ high (cabinet front) x 22.00″ deep
• Weight: 235 lbs

Clay Paky Shotlight Wash

Shotlight Wash is a totally new kind of projector that combines an extraordinary 1500W discharge lamp washlight and a 3000W Xenon lamp strobe in just one device. The two wash/strobe functions are perfectly integrated and can be operator-controlled with either simultaneous or separate operation and special effects. The “strobe” function is provided by two semi-circular Xenon lamps working independently, i.e. they can flash together or separately, at different frequencies.

Washlight section:

• 1500 W Lok-it discharge lamp
• Optical unit with extremely high luminous efficiency
• Power may be set to 1500 or 1200 W
• 11°- 74° electronic zoom
• CMY colour system + 2 colour wheels (6+6) + linear “Golden CTO”
• Indexable and rotating ovalizing filter
• “Diamond effect” filter
• Frost filter
• 0-100% hybrid dimmer (electronic + mechanical)
• Three-phase pan/tilt motor for perfectly silent operation
• High performance electronics and firmware
• Modular construction for easy maintenance

Strobe section:

• 2 special, curved, pulsed Xenon lamps, 1500 W each Lamp life: 500 hours
• Special shape mirror reflector
• Each lamp is individually operated
• 0-100% intensity control with blinding effect
• Flash rate 0-16 Hz
• Automatic over-temperature safety
• Automatic safety black-out in case of unstable frequency
• Pre-set strobe effects and strobe/wash effects

MEYER SOUND M’ELODIE ULTRACOMPACT HIGH-POWER CURVILINEAR ARRAY LOUDSPEAKER

M’elodie is Meyer Sound’s newest generation of a strong family line: the celebrated M Series. M’elodie is compact enough for small theatres, ballrooms and clubs, as well as being an outstanding performer in theatrical productions and corporate AV applications.

• Dimensions: 28.54 w x 9.19 h x 12.75 d
• Weight 62 lbs
• Operating frequency range: 70 Hz – 18 kHz
• Phase response: 1.5 kHz – 16 kHz ±30°
• TRANSDUCERS: Low/low-mid frequency: Two 8” cone drivers with neodymium magnets; High frequency: 3” compression driver
• Amplifier type: Three-channel complementary MOSFET output stages (class AB/H)
• Output power 1275 W; 2550 W peak

Clay Paky Sharpy

Sharpy is a 189W moving beam light with an unprecedented brightness usually achievable only with far greater wattages. Weighing just 19 kg, Sharpy produces a perfectly parallel, laser-like beam with an incredible output of 59,760 lx at 20m (5,100 footcandles at 65 ft). Sharpy is also groundbreaking for the purity of its beam, which is sharply defined and free of any halo or discoloration around the edges. It offers 14 different colors and 17 gobos, allowing you to change the shape of the beam and create an array of spectacular mid-air effects. 
With its light weight and modest footprint, Sharpy is small enough to be fitted anywhere – on trusses at live and TV events, on stage, in showrooms or conference rooms.

Sharpy is also available in a shiny mirror-finish chrome version, adding glamour to sets while making lights a less invasive presence.

• 189W discharge lamp (Platinum 5R o Osram Sirius 190 Plus)
• Perfectly parallel, laser-like beam, sharply defined and free of any halo
• Unprecedented brightness – comparable to wattages many times higher (59,760 lx at 20m)
• Adjustable beam angle from 0 to 3.8°
• Interchangeable color wheel with 14 fixed colors
• Interchangeable gobo wheel with 17 fixed gobos
• 8-facet rotating prism
• Mechanical dimmer
• Frost Filter
• Rapid and extensive pan and tilt movements
• New, high-performance electronics
• Patented Italian design
• Small, lightweight and easily transported (only 48 cm x 19 Kg)
• Eco-friendly: replaces far larger and more expensive spotlights
• Art-Net / RDM
• Electronic ballast fitted as standard
• Available in “mirror-finish” chrome version

MEYER SOUND 1100-LFC LOW-FREQUENCY CONTROL ELEMENT

The 1100‑LFC low-frequency control element is a self-powered loudspeaker defined by its sonic linearity in reproducing low-frequency transients at high, continuous output levels with very low distortion. This ultralow distortion, coupled with exceptional headroom and optimized rigging options, makes the 1100‑LFC a flexible tool for low-end directional applications for large-scale tours and installations

• Dimension w/Rigging: 54.65″ w x 20.48″ h x 33.00″ d
• Weight w/Rigging: 285 lbs
• Operating Frequency Range: 28 Hz – 100 Hz
• Phase Response: 34 Hz – 82 Hz ±30°
• Transducers: Low Frequency: Two 18” cone drivers
• Amplifier: Type: 2-channel complementary MOSFET output stages (Class AB/H bridged)

MEYER SOUND 700-HP ULTRA HIGH POWER SUBWOOFER

The Meyer Sound 700-HP ultrahigh-power subwoofer sets a new standard for the power-to-size equation. The 700-HP’s power and bandwidth handle high continuous operating levels and extreme transient information with minimal distortion in its operating frequency range.

• Dimensions: 45.93″ w x 22.50″ h x 30.00″ d
• Weight: 204 lbs
• Operating Frequency Range: 28 Hz – 150 Hz
• Phase Respons: 45 Hz – 145 Hz ±30°
• Maximum Peak SPL: 139 dB
• Low Frequency Transducers: Two 18″ cone drivers
• Amplifiers type: Two-channel complementary power MOSFET output stages (class AB/H)
• Output Power: 2250 W

Clay Paky Sharpy Wash 330

Sharpy Wash 330 is an extraordinarily compact, lightweight 330 W washlight, with the luminous efficiency, graphic and optical performance of a 1000W fixture. It is extremely silent and quick, and fitted with a complete CMY color system, special colors, 6.5°-48° zoom, mechanical dimmer, beam shaping filter and motorized top-hat. At minimum beam angle, the Sharpy Wash 330 produces a beam like its brother Sharpy: the two lights are designed to work perfectly together. It is an eco-friendly light, allowing considerable running and consumption cost savings.

• New 330W Lamp (8,000 K 1,500 h)
• Equalling the light output of a 1,000 Watt luminaire
• Small, lightweight and easily transported: only 18.5 Kg (40.8 lbs)
• Adjustable beam angle from 6.5° to 48°
• Motorised Top Hat (Clay Paky patented)
• CMY Color System + 11-color wheel + open
• Rotating beam shaper
• High speed movements and effects
• Frosted, smooth mechanical dimmer
• High speed Stop/Strobo effect
• Soft-edge Filter + heavy frost filter
• New, high-performance electronics
• Art-Net / RDM
• Patented Italian design Eco-friendly: replaces far larger and more expensive washlights
• Electronic ballast fitted as standard
• Available in black, white, gold-plated and “mirror-finish” chrome plated versions

Clay Paky Alpha Spot 1500 HPE

Clay Paky Alpha Spot HPE 1500 offers an incredible array of colour and imagery devices, including 20 gobos on 3 wheels, animation disc, rotating prism and the exclusive Automated-Star-Gobo (patent pending).

All devices are fully combinable with limitless rotation and morphing possibilities. The zoom has an extreme aperture range from 7° to 57° (1:8 ratio) with an amazing 120 bpm speed. An auto-focusing function combined with the Dyna-Cue-Creator make programming and operation easy and creative. A special high definition iris, the advanced Zoom-Tracking-Diffuser and silent operation position Clay Paky Alpha HPE 1500 at the edge of show-lighting technology.

Clay Paky ALPHA SPOT HPE 1500 ST Version is available and ideal for Theatre, including a new elliptical reflector and a new special lens coating, resulting in a 6,000K Color Temperature, very close to the black body curve.

• 1500 W Lok-it discharge lamp
• Power may be set to 1500 or 1200 W
• 7°- 57° electronic zoom
• Stay-Sharp-Zoom function for automatic focusing
• Dyna-Cue-Creator on a special channel for fast artistic programming
• CMY colour system + colour wheel + linear CTO
• A rich range of effects designed for professional use
• Dichroic glass patterns: 20 gobos (12 rotating on 2 gobo wheels + 8 fixed)
• Exclusive adjustable animated star gobo on a dedicated channel (patented)
• Animation disc + rotating prism
• Zoom-Tracking-Diffuser (frost filter synchronized with zoom plus flood filter)
• Special 16-blade mechanical iris
• 0-100% hybrid dimmer (electronic + mechanical)
• Three-phase pan/tilt motor for perfectly silent operation
• High performance electronics and firmware
• Art-Net / RDM
• Modular construction for easy maintenance

MEYER SOUND 600-HP COMPACT HIGH-POWER SUBWOOFER

The 600-HP is a self-powered, high-output subwoofer that may be used in both flown and ground-stacked configurations.

• Dimensions: 41.40″ w x 22.50″ h x 22″ d
• Weight: 182 lbs
• Operating Frequency Range: 36 Hz – 150 Hz
• Phase Response: 46 Hz – 120 Hz ±30°
• Maximum Peak SPL: 138 dB
• Transducers: Two 15″ cone drivers
• Amplifier type: Two-channel complementary MOSFET output stages (class AB/H)
• Output Power: 2250 W

Clay Paky Alpha Profile 1500

The Alpha Profile 1500 is a cutting-edge professional beam shaper that combines the high output power of a 1500 W lamp with an exclusive framing system (patented by Clay Paky) capable of any shape. It features an astonishing 1:9 ratio zoom, with a breathtaking speed, that makes it suitable to both short and long distance applications. It is extremely bright, very silent and has advanced electronics and software. It comes with a comprehensive range of graphic effects, the innovative Stay-Sharp-Zoom function allowing automatic focusing and the smart Zoom-Tracking-Diffuser for a linear beam softening. The Alpha Profile 1500 is a valuable resource for designers working in demanding lighting environments.

ALPHA PROFILE 1500 – “ST” Version
The ST Version is available and ideal for Theatre, including a new elliptical reflector and a new special lens coating, resulting in a 6,000K Color Temperature, very close to the black body curve.

• Optical unit with extremely high luminous efficiency
• 1500 W Lok-it discharge lamp
• Power may be set to 1500 or 1200 W
• 7°-60° electronic zoom
• Stay-Sharp-Zoom function for automatic focusing
• CMY colour system + colour wheel + linear CTO
• Patented framing system, adjustable over 90°
• Geometric beam shaping of various proportions and sizes
• “Total curtain effect” with single blade
• Graphic system: 14 gobos (6 rotating + 8 fixed) + rotating prism
• Zoom-Tracking-Diffuser (frost filter synchronized with zoom plus flood filter)
• Special 16-blade mechanical iris
• 0-100% hybrid dimmer (electronic + mechanical)
• Three-phase pan/tilt motor for perfectly silent operation
• High performance electronics and firmware
• Art-Net / RDM
• Modular construction for easy maintenance

MEYER SOUND 900-LFC COMPACT LOW-FREQUENCY CONTROL ELEMENT

Meyer Sound’s 900-LFC compact low-frequency control element reproduces low frequencies at high, continuous output levels with extremely low distortion. The 900-LFC offers the same sonic linearity as Meyer Sound’s 1100-LFC low-frequency control element in a smaller, lighter cabinet, making it ideal for building scalable systems to suit touring applications or fixed installations of any size.

• Operating Frequency Range: 31 Hz – 125 Hz
• Phase Response: 40 Hz – 110 Hz ±30°
• Transducer: Low Frequency: One 18-inch dual-coil, long-excursion cone driver
• Amplifier type: 2-channel, open-loop (class D)
• Dimensions: 27.43 in W x 24.43 in H x 24.89 in D
• Weight: 136 lbs

Clay Paky Alpha Beam 1500

The Alpha Beam 1500 is the most powerful luminaire belonging to the special category of fully automated ACL fixtures, generating a solid, super-concentrated parallel beam for very long-throw projections, that innumerable built-in devices shape in size and animate with colours and movement for fantastic mid-air effects. Featuring the new Fast-Fit 1500 W lamp, Alpha Beam 1500 can also become as a spotlight for long distance focused projections and perform as a good narrow-angle washlight.

• Optical unit with extremely high luminous efficiency (185,000 lux at 10 m)
• 1500W Lok-it discharge lamp
• Extraordinarily wide, fast and linear pan and tilt movements
• Narrow and parallel 4° beam
• CMY colour system + colour wheel (including CTO)
• 14 gobos + 1 rotating prism, to change the graphic effects and beam angle
• Electronic focusing, for projecting sharp images at any distance
• Linear frost effect (light/medium/heavy) on a dedicated channel
• High speed mechanical iris
• 0-100% hybrid dimmer: electronic (50-100%) and mechanical (50%-0)
• Eco-friendly: may be used instead of very much larger and more expensive searchlights
• Large savings in handling, installation, storage and consumption costs
• New generation, high performance electronics
• Modular construction for easy maintenance

KOMPAKTES PA-SYSTEM MEYER SOUND ULTRA-X40

The Meyer Sound ULTRA-X40 is a light-weight, compact point-source loudspeaker, boasting 1950W of power, exceptional high-fidelity reproduction, precise imaging, and several mounting options.

• Operating frequency range: 60Hz – 18kHz
• Phase response: 100Hz – 16kHz ±45°
• Linear peak SPL1: 130.5dB (M-noise), 128dB (Pink Noise), 131.5dB (B-noise)
• Transducers: Low frequency: Two 8″ cone drivers
• High Frequency: One 3″ diaphragm compression driver connected to a rotatable horn
• Amplifier Type: 3-channel, Class-D
• Total Output Power: 1950W peak
• Dimensions (WHD): 12-1/2″ x H: 22-5/16″ x 14″
• Weight: < 55 lb

Clay Paky Alpha Profile 1200

The Alpha Profile 1200 is the most advanced 1200 W professional beam shaper on the market. In addition to its complete range of spotlight effects, it has an exclusive framing system, designed and patented by Clay Paky. This system offers never-seen-before performance, ranging from the projection of geometric figures of various shapes and sizes to a single-blade total “curtain effect”. It is extremely bright, very silent and has advanced electronics and software. The Alpha Profile 1200 is a precious resource for lighting designers who work in professional environments in the theatre, television, touring and live event sectors.

• 1200 W discharge lamp
• Patented framing system, adjustable over 90°
• Projection of triangular and quadrangular shapes of various sizes
• “Total curtain effect” with single blade
• 10°- 30° electronic linear zoom
• CMY colour system + colour wheel + linear CTO
• Graphic system: 14 gobos + 1 rotating animation effect + 1 rotating prism
• High quality gobos made specifically for this light
• High speed mechanical iris
• 2 frost filters
• 0-100% dimmer on a dedicated channel
• Silent operation (“Silent Version” system supplied as standard)
• Modular construction for easy maintenance

MEYER SOUND UPJ-1P COMPACT VARIO™ LOUDSPEAKER

Though remarkably compact and lightweight, the UPJ-1P produces a robust peak power output of 128 dB SPL at 1 meter, making it suitable for use either singly as a primary loudspeaker or in multi-cabinet horizontal or vertical arrays. Applications include A/V presentations, small- to medium-sized main sound reinforcement systems, fill, delay, effects, under-balcony or under-canopy coverage and distributed systems.

• Operating Frequency Range: 55 Hz – 20 kHz
• Phase Response: 750 Hz – 18 kHz ±45°
• Transducers: Low Frequency: One 10″ cone driver with neodymium magnet; High Frequency: One 3″ compression driver
• Amplifiers type: Two-channel complementary MOSFET output stages (class AB/bridged)
• Output Power: 300 W total

Clay Paky Alpha Spot 800 QWO ST

The Alpha Spot QWO 800 uses the latest MSR Platinum lamp – an 800W light source that produces an intense sparkling light, brighter even than older 1200W lamps. Additionally, the Alpha Spot QWO 800 is equipped with optical features that place this luminaire at the very top of its class, including a very wide zoom range from 7.6° to 55°, a uniform beam distribution at all zoom angles and a unique Stay-Sharp-Zoom feature that locks images in focus while zooming.

Dyna-Cue-Creator is a powerful tool that not only speeds up programming, but automatically synchronizes effects in a way that would be very complex to program manually.

Small, lightweight construction, impressive zoom range, excellent brightness, uniform beam, low consumption – these are just some features that make the Alpha Spot QWO 800 an excellent tool for TV, theatre, corporate events, and countless other demanding lighting applications.

• MSR Platinum 35 discharge, MiniFastFit, Single-ended lamp (7750 K, 1000 h)
• Optical unit with extremely high luminous efficiency
• Zoom: linear from 11° to 55° with additional narrow 7.6° aperture
• Stay-Sharp-Zoom function for automatic focusing (patent pending)
• Dyna-Cue-Creator on special channel for fast artistic programming
• CMY color-mixing system
• Fixed color wheel with 8 colors
• Linear CTO (2,500 – 7,200K)
• 15 glass gobos (7 rotating + 8 fixed)
• 6-facet rotating prism
• Animation disc
• Variable Frost system
• Special 16-blade iris
• Hybrid dimmer (100-50% electronic; 50% to zero mechanical)
• Silent operation (“Silent Version” system supplied as standard)
• Extremely new design high performance electronic
  Art-Net / RDM
• Eco-friendly: may be used instead of very much larger and more expensive spotlights
• Modular construction for easy maintenance
• Control channels: max 36
• Weight: 30kg

MEYER SOUND UPM-1P ULTRA-COMPACT WIDE COVERAGE LOUDSPEAKER

The UPM-1P is a remarkably compact, self-powered professional sound reinforcement loudspeaker system. It is ideally suited to applications requiring a relatively small and inconspicuous loudspeaker that can also provide high sound pressure levels, extremely low distortion, and uniform directional control.

• Dimensions: 6.85″ w x 18.00″ h x 7.70″ d
• Weight: 21 lbs
• Operating Frequency Range: 75 Hz – 20 kHz
• Phase Response: 300 Hz – 18 kHz ±60°
• Maximum Peak SPL: 123 dB
• Transducers: Low Frequency: Two 5″ cone drivers; High Frequency: One 1″ metal dome tweeter
• Amplifiers type: Complementary MOSFET output stages (class AB/bridged)
• Output Power: 350 W total

Clay Paky Alpha Wash 575

The Alpha Wash 575 is a 575 W washlight fitted with an incredible 4° – 80° linear zoom, CMY colour system, colour wheel and linear CTO. Thanks to two linear frost effects on dedicated channels, it ensures utmost colour uniformity both at long and short projection distances. The Alpha Wash 575 is lightweight, practical and silent. It has an innovative look and is suitable for all professional and entertainment applications

•575 W discharge lamp
•Optical unit with extremely high luminous efficiency
•Exceptional brightness even at maximum beam angle
•4°- 80° (4.3° – 79.8°) electronic linear zoom
•CMY colour system + colour wheel + linear CTO
•Light and heavy linear frost effects on two separate channels
•0-100% dimmer on a dedicated channel
•Silent operation (“Silent Version” system supplied as standard)
•High performance electronics

MEYER SOUND GALAXY-816 (8-INPUT 16-OUTPUT) DIGITAL PROCESSOR

• Crosspoint delay and summing matrix
• Processing uses 96kHz sample rate audio
• A/D and D/A conversion with 96kHz/24-bit
• Inputs Section XLR-female: 8 audio inputs, analog or digital (AES/EBU), selectable in pairs
• Outputs Section XLR-male: 16 audio outputs, analog
• Dimensions 2-space rack 19.00” w x 3.48” h x 16.14” d
• Weight 16.8 lbs

MEYER SOUND GALAXY 816 AES3 NETWORK PROCESSOR

• Crosspoint delay and summing matrix
• Processing uses 96kHz sample rate audio
• A/D and D/A conversion with 96kHz/24-bit
• 5-band U-shaping on inputs and outputs
• 5-band parametric EQ on inputs and 10-band parametric EQ on outputs
• High/low pass filters with up to 48dB per octave slopes
• Dimensions 2-space rack 19.00” w x 3.48” h x 16.14” d
• Weight 16.8 lbs

LightSky AquaBeam

The LightSky AquaBeam is the perfect solution for outdoor live events and productions. Rated at ip54, the Aquabeam has withstood intense testing that included months of continuous extreme weather, driving rain, baking sun, dust, and windblown debris; all the while standing tough against the elements and delivering brilliant beams and amazing effects.

LAMP

• Lamp:Osram SIRIUS HRI 440s
• Average Life span:1200h

OPTICS

• German Engineered Glass Lens
• ​16 facet +32 facet (standard); 3 facet +8 facet (Option)
• Parabolic Reflector Guaranteeing Highest Uniformity and Precision​

DIMMER – SHUTTER – STROBE

• ​0-100% linear dimmer
• ​Independent shutter and fading effects with adjustable speed
• ​Strobe: mechanical, .5-20 flash per second (with random strobe effect)

COLOR SYSTEM

• ​Color wheel with 6 dichroic filters + open (linear-step-less selection)
• Color Temperature: 3200K~7800K Linear adujustement
• Linear CMY color mixing

EFFECTS

• Beam angle: Beam Projection 2°​
• 45°​ Wash effect
• Fixed gobo wheel: 12 fixed gobo + blank
• Easy access to gobo wheels for replacement
• Linear focus adjustment
• ​Double dimming board and super-smooth dimmer.

​ELECTRONICS​

• ​LCD graphic black display for simplified access to control menu, configuration and DMX addressing​
• Battery powered display
• DMX Channel: 24 Channels
• RDA: Remote DMX addressing
• 2.4GHz WDMX receiver by Wireless Solutions (optional)
• Input and output signal through 3p and 5p XLR connectors
• Remote ON/OFF lamp control by DMX
• Remote unit reset by DMX
• Electronic self-test and check-up for diagnostics
• Lamp life timer
• Thermal sensor monitoring optimum lamp temperature
• Filtered forced ventilation with variable speed low-noise fans

​​BODY

• Independent shape design with fire-proof PA66 plastic material.​
• Ergonomic side handles for transportation
• ​3-step motor engine for Pan/Tilt move
• Pan 540°, Tilt 250°, accurate scanning and automatically positioning.
• Scanning speed: Pan 2.9 sec/ 540°, Tilt 1.5 sec/230°
• ​Modular assembly to allow easy maintenance operations
• ​​Suspension and fixing: any possible working position through omega kit (included) with “quick lock” system

POWER SUPPLY​

• Electronic ballast: 100-240V 50/60Hz universal power supply
• 628w Power consumption

Clay Paky HY B-EYE K25

• Source Type: 37 x RGBW LED Osram OSTAR – Stage II LE RTDUW S2WN (6000 K)
• LED Nominal Wattage: 40W
• Versatile, three operating modes: wash, beam, FX effect
• 4°-60° Zoom range and even light spread
• Individual LED control for each parameter
• Invisible front grid
• Beam edge softening control (in wash mode)
• Exclusive parallel beam consisting of an array of individually controllable micro-beams
• Enhanced electronic engine for dynamic beam pattern design, with digital accuracy and repeatability
• Art-Net / RDM
• Arkaos Kling-Net protocol already included in the firmware
• Rotating front lens for countless vortex effects, for aerial or “kaleidoscopic” projection use
• White CT Emulation 2500-8000K
• RGB auto-tuning to lamp CT Emulation
• Tungsten Lamp Emulation
• Weight: about 27.5 Kg (60.6 lbs)

LAKE LM 44 AUDIO SYSTEM PROCESSOR

The LM 44 provides a four input/four output analog configuration that is suited for a variety of system signal processing and routing applications. The LM 44 also provides 8 × 8 AES3 digital I/O and 4 × 8 Dante networked I/O, all with comprehensive signal routing to provide Dante break-in / break-out and failover functionality. Two LM 44 units may be stacked and linked to function as an 8 × 8 processor.

• High quality A/D and D/A 24-bit conversion
• 96 kHz internal sampling frequency
• 32-bit floating point internal data path
• Mix-matrix and system EQ between FOH console and loudspeaker system.
• Line driver and system EQ for self-powered loudspeaker systems.
• Inserted EQ for monitor systems.
• Dante break-in/break-out.
• Transmission system to and from FOH and stage L /stage R.

Clay Paky Axcor Profile 600

In the crowded world of medium-high power lights, the AXCOR PROFILE 600 stands out for its excellent combination of high performance, exceptional light quality, and versatility of use.
It fits a 500 W white LED engine, available in two versions: with high output 6500K color temperature, or – alternatively – with 5600K color temperature and a CRI of around 90.
The luminous efficiency is among the highest in this power category, and – if necessary – it can be further increased by about 25% thanks to “boost mode” (available on the standard version and on the HC version), making AXCOR PROFILE 600 a perfect tool for tours and large events.
A wide zoom range from 5.3° to 47.2° (1:9 ratio) means the light can be used in a variety of situations, including those for which a narrow angle is best.
The completeness of its color section, its great wealth of visual effects, its framing system implemented with technological devices that enhance its precision and versatility, the possibility of using it as a wash light, make the Axcor Profile 600 an essential benchmark for all modern entertainment uses.

The AXCOR PROFILE 600 TEATRO is a special version of the Axcor Profile 600 ST that features an updated cooling system and mechanisms to significantly reduce the unit’s acoustical footprint. Available in two different CRI versions, this fixture is ideal for applications where noise is a concern in venues such as theatres, television studios, opera houses, conference halls, and more.

• Source: 500W White LED Engine
• Versions available:

– CRI: at least 70, CT 6500K (Axcor Profile 600 and ST)
– CRI: at least 90, CT 5600K (Axcor Profile 600 HC and HC-ST)

• Ø 132mm front lens
• 5.3°- 47.2° linear Zoom
• CMY + Linear CTO
• One Color Wheel with 5 Colors
• One Rotating Gobo Wheel with 7 Gobos
• Rotating 4-facet prism
• Animation wheel (interchangeable with fixed gobo wheel)
• Motorized framing system with 4 focal planes
• Framing system indexable over 90 degrees
• Variable Frost filter
• Iris with multiple macros (random, pulsing…)
• Electronic linear dimmer, 16 bit and 4 curves
• Electronic strobe @25 f/sec.
• Weight: 33 Kg (72.7 lbs)

L-ACOUSTICS KARA

The Kara modular line source delivers ultimate flexibility to any sound design, with its optional low frequency extension. This active, twoway compact enclosure boasts exceptional throw as well as smooth and wide horizontal directivity. Deployed alone, Kara is ideal for enhanced speech and vocal programs.

SUB L-ACOUSTICS SB28

L-Acoustics SB28 enclosure is a recommended subwoofer companion for the K1, KUDO, V-DOSC and ARCS systems, lowering the combined system operating range down to 25 Hz.

The SB28 contains two 18’’ direct radiating LF transducers integrated into a bass-reflex tuned enclosure. The specially designed 18’’ transducers provide an exceptional cone excursion capability combined with low thermal compression even at the very highest operating levels. The bass-reflex vents feature a progressive profile allowing laminar airflow. The association of the modern components with the new vents delivers a greatly improved +5 dB peak SPL output compared to the previous standards.

• 25Hz LF limit, exceptional power handling capability
• Progressive vent for increased peak SPL, and minimal turbulence noise
• LA8 amplified controller drive and protection
• DSP presets for cardioid mode (symmetrical and asymmetrical)

Clay Paky A.leda B-EYE K20

• Source Type: RGBW LEDs
• LED Nominal Wattage: 15W
• Number of LEDs: 37
• Versatile, three operating modes: wash, beam, FX effect
• Unique optical system, featuring unmatched zoom range (4°-60°) and even light spread
• Individual LED control for each parameter
• Invisible front grid
• Beam edge softening control (in wash mode)
• Exclusive parallel beam consisting of an array of individually controllable micro-beams
• Enhanced electronic engine for dynamic beam pattern design, with digital accuracy and repeatability
• Art-Net / RDM
• Rotating front lens for countless vortex effects, for aerial or “kaleidoscopic” projection use
• White CT Emulation 2500-8000K
• RGB auto-tuning to lamp CT Emulation
• Tungsten Lamp Emulation

Clay Paky A.leda K10

A.LEDA WASH K10 is the mid-range model in the A.LEDA Series – the first professional Clay Paky fixtures to use LEDs as light sources. It offers a valid alternative to discharge lamp washlights, adding all the benefits of LED technology: low energy consumption, long light source life, small size, light weight and robustness.
A.Leda Wash K.10 is fitted with multicolor RGBW LEDs that produce a full range of vivid colors as well as excellent shades of white. It is also equipped with a motorised and fully controllable 14°-70°.
Each color of each LED may be controlled separately: this unique feature not only allows you to create an endless range of color variations, but also to use each LED of the array as a pixel in order to draw all kinds of graphic images that change dynamically both in shape and color.
To ease operation, the light has a library of pre-programmed graphic effects, which operators may customise by changing each parameter: intensity of each color, speed of change, etc.

• Light source: 19×15 W RGBW LEDs
• Rated light output: 5,500 lumen
• Each LED color can be dynamically and individually controlled
• 14°-70° electronic zoom
• Dimmer: linear 0-100% on a dedicated channel
• Stop/strobe effect, with instantaneous blackout
• Extremely compact and light-weight for its power class
• Silent operation
• Very quick linear 540° pan and 270° tilt movements
• New design high performance electronics
• Modular construction for easy maintenance
• Long-life auto-charging buffer battery
• Preset color and graphic effect macros
• Ethernet ready
• Input: Powercon Neutrik
• Control channels: 20 basic channels + 57 RGB pixel-mapping channels

LA RACK (3*LA8)

The LA-RAK combines in a 9U frame three LA8 amplified controllers, two I/O patch panels for signal and network distribution, and a power distribution panel. A dolly board is included for moving the LA-RAK.
Two coupling bars allow assembly with another LA-RAK or a flying frame.

• Modular touring rack designed for all L-ACOUSTICS systems
• Hosts 3xLA8 for maximum drive flexibility and power
• Analog Signal, Network and Power distribution panels
• Engineered 9U frame allows flying and rigging
• Compatible with legacy cabling standards
• Universal platform to ease L-ACOUSTICS Rental Network cross rental
• AES/EBU Standard on LA8 and LA-RAK

JBL-SRX 835P

Clay Paky CL 3005 Mini-B

Mini-B is the smallest LED moving light ever made by Claypaky for the professional market. Although it weighs just 7 Kg and measures only 34 cm, Mini-B features the most advanced, modern optical and electronic technology. The light source is based on 40 Watt Osram RGBW LEDs, the same ones fitted in the new Claypaky HY B-EYE.
Mini-B features a wide zoom, ranging from 4° to 55° that makes this little luminaire extremely versatile. At the narrow angle, the beam produced is very solid and concentrated, superb for aerial effects. At full aperture, the Mini-B becomes an excellent wash light and it can replace much heavier and bulkier equipment, on stages, in TV studios, at multi-purpose venues and at clubs.
The Mini-B’s central LED may be controlled separately from the external ring of LEDs, making it ideal for graphic lighting effects too. More than fifty pre-installed effects/color macros, 2500K-8000K color temperature control, a 16 bit dimmer with four curves, an electronic strobe @ 25 f/sec, and Ethernet access complete this highly professional tool.

• Light Source: 7 x RGBW Osram Ostar LEDs
• LED power rating: 40 W
• Extremely compact and lightweight
• Highly efficient light output, very low power consumption
• Very high-speed Pan and Tilt movements
• 4°-54° Zoom range
• Independent control of the central LED
• Pre-installed effects/color macros
• 2500K – 8000K color temperature control
• 16 bit dimmer with 4 curves
• Electronic strobe @ 25 f/sec
• Ethernet access

SUB JBL-SRX 828SP

18″ Dual Self-Powered Subwoofer System

• Purposeful Design: Rugged, Intuitive to Use, Easy to Transport
• JBL Premium Transducers
• Drivecore Amplification By Crown
• Full User Configurable DSP
• Network Control
• JBL Engineered Application Presets
• LCD Screen and Glow in the Dark Ink on Back Panel
• Accepts JBL WK-4S Caster Kit
• 145 lb/65.9 kg

Clay Paky Axcor 300 beam

The new Axcor 300 family of moving LED fixtures brings Claypaky’s no-compromise quality and performance to the broad mid-market. The quality of their effects, their construction, and their high light output derive from the high-end products Claypaky specializes in.

The AXCOR BEAM 300 has an even more compact body – less than 500mm – and is able to emit a super-concentrated  solid  beam  with a beam angle as small as 2° and a surprising light output. The wealth and quality of its colors and aerial effects, its electronic focus and its 140 mm diameter front lens make the Axcor Beam 300 the ideal beam moving light in any application area, and the perfect replacement of a Claypaky Sharpy!
It boasts cutting-edge electronic and software technology, with all the features that enable optimal fixture management and maintenance over time. With a price-point, physical size and power consumption that disguise its strength and creative potential, the Axcor Beam 300 enables a new world of expression in touring, events, TV, theatre and installed lighting markets.

• Source: 110W White LED engine (7600 K)
• Ø 140mm front lens
• Beam aperture: 2°
• Motorised focus lens
• One color wheel with 14 Colors
• One gobo wheel with 17 Gobos
• Rotating 8-facet Prism
• 16-bit Electronic Dimmer with 4 curves
• Electronic strobe@24 f/sec
• Extremely compact and lightweight
• Two DMX modes: 14ch / 16ch (Sharpy mode)

JBL SRX 722

PR Lighting XLED 6007

PLANET is the answer for with tight 3.3° beams and a wide far-reaching quality wash in compact housing. It fixtures 60W RGBW LEDs with PR patented optics especially developed for a high output in any stage.

• Light Source: OSRAM 7x60W LEDs(RGBW 4 in 1), 2700K~10000K,50,000 hrs
• Input Voltages: 100-240V AC, 50/60Hz
• Power Consumption: 600W@220V
• Strobe: electronic strobe, 0-25 F.P.S.(pulse strobe macro)
• Dimmer: 0-100% linearly adjustable
• Effect: rainbow, effect Modes(kaleidoscope, swirl), multiple macros
• Light Angle: beam angle(1/2 peak) θ1/2: Linear Zoom 3.3°～ 60°
• Head Movement: pan 540°, tilt 210° with auto-positioning
• Control: DMX512, 3 pins and 5 pins interface
• Channels: short mode 26 channels, standard mode 30 channels and extended mode 54 channels
• Other Functions: ring control, pixel control, each color of RGBW of a LED lamp controllable, wireless control(optional)
• Housing: high temperature engineering-plastic
• IP20
• Light Weight: 14kg

PR Lighting XLED 2007

The XLED 2007 is a remarkably small, super bright, compact LED moving head, low power consumption with an amazingly bright beam. It features rapid and quiet movement, t is able to rotate endlessly, ideal for entertainment and decorative lighting design.

• Light source: multi-chip LEDs 7×15W(RGBW 4 in 1)
• Color system: RGBW linear color mixing with macro
• Color temperature: linear correction 2700K~10000K
• Illuminance: 17 284 lux @ 3M
• Beam angle: 6°
• Effects: pulse strobe, rainbow and animation
• Dimmer: electronic dimming 0-100% linearly adjustable
• Strobe: electronic strobe 0~25F.P.S
• Control: DMX-512 (5-pin interfaces), Master/Slave, Stand alone, Preset mode, Self test
• Channels: 15 channels in standard mode / 28 channels in extended mode
• Preset memory and user memories
• LCD display
• Head movement: Pan 720° or Endless, Tilt 270° or endless
• Others: sensitive button, sound activation and wireless DMX(optional)
• Accessories: G clamps (1), 5-pin XLR connectors (1), Safety cord (1)
• Power supply: 100-240V – 50/60Hz
• Power consumption: 170W
• Light source: multi-chip LEDs 7×15W(RGBW 4 in 1)
• Housing: High temperature ingineering plastic IP20
• Size: 204 x 224 x 296 mm
• Weight: 4.36 Kg

SUB JBL SRX 728

The SRX728 is a high power subwoofer system containing two 2268H neodymium magnet, patented Differential Drive, 18″ woofers in a front-loaded, vented enclosure. The enclosure is designed to present a minimum frontal area. The system offers complete input connection flexibility for compatibility with a variety of cabling schemes. A recessed, external switch allows selection of either contacts +1/-1 or +2/-2. By relocating an internal connector, it is also possible to drive each woofer discretely from a separate amplifier channel. The enclosure is constructed of top quality birch plywood and coated in JBL’s rugged DuraFlex™ finish. Each woofer is housed in an isolated chamber and the enclosure is heavily braced to maximize low-frequency performance. The attractive CNCmachined, 16-gauge steel grille is internally lined with acoustically transparent foam to provide additional driver protection and give a very professional appearance.

DBX DRIVERACK 260

The dbx DriveRack 260 is the most effective way to manage all aspects of post mixer processing and signal routing. The DriveRack 260 essentially becomes the only device that you will need between the mixer and the power amps. The following are just some of the features of the DriveRack 260.

• • Advanced Feedback Suppression
• • 2.7 Seconds of Alignment and Zone Delay
• • RS-232 PC GUI control
• • Classic dbx® Compression and Limiting
• • Graphic and Parametric EQ
• • Independent Input and Output Processing
• • Auto EQ Function
• • Full Bandpass, Crossover, and Routing Configurations
• • Auto Gain Control
• • Pink Noise Generator and full-time RTA
• • Setup Wizard with JBL® and Crown® Components
• • Security Lockout
• • Wall Panel Control Inputs

Showtec Spectral M1500 Zoom Q4 MKII

I LIGHTING 36x15W wall washer

•36x15W WDMX LED Wall Washer Light
•AC100V～240V 50-60HZ,500W Max

YAMAHA CL5 DIGITAL MIXING CONSOLE

I/O RIORACK 3224-D

I/O rack unit that employs Dante network audio protocol for exceptional flexibility and freedom in setup and placement, while delivering natural, musical sound that brings out the full sonic potential of mixing consoles and other system components.

I/O rack unit that employs Dante network audio protocol for exceptional flexibility and freedom in setup and placement, while delivering natural, musical sound that brings out the full sonic potential of mixing consoles and other system components. The 5U size Rio3224-D provides 32 ins, 16 outs, and four AES/EBU outputs.

Showtec Pixel Square 25 COB

I/O RIORACK 3224-D2

This high-capacity, high-performance I/O rack is compatible with Yamaha CL and QL series consoles as well as the RIVAGE PM series. It features 32 analog inputs, 16 analog outputs, and eight digital AES/EBU outputs. The Rio3224-D2 connects directly to Dante digital audio networks, allowing flexible system configuration. Dual power supply units are built in for high reliability, and a character/graphic display offers easy visual confirmation.

• 32 analog inputs and 16 outputs, and 8 digital outputs.
• Redundant connections are supported with primary and secondary connectors. Daisy chain connections are also supported.
• Comprehensive display and local control of gain and other parameters.
• Dual power supply units are built in for high reliability.
• Power consumption: 120W
• Dimensions (WxHxD): 480 x 220 x 368mm (18.9″ x 8.7″ x 14.5″)
• Net Weight: 13.5 kg (29.8 lbs)

Showtec Pixelbar 8 COB

Showtec Compact PAR 19 Section

AVID | VENUE | S6L SYSTEM

Mix and record live productions of any size with ease. Avid VENUE | S6L delivers the unmatched processing power and sound clarity artists and engineers rely on to present the best show possible. From direct AAX and Waves plugin support and 128 tracks of Pro Tools recording, to full system modularity and 300+ processing channels, the S6L unified platform gives you the mixing efficiency, creativity, and flexibility you need to meet the demands of any gig. And now with its newly expanded line of five control surfaces, three engines, and four I/O racks to choose from—with 100% hardware, software, and show file compatibility across all—it’s easy to configure and scale the perfect system for your needs.

I/O AVID | VENUE | S6L STAGE RACK

Achieve pristine sound through high-performance I/O

Scale your system with as little or as much I/O as you need with Avid’s VENUE Stage 64 rack, featuring a new high-performance preamp design that delivers the best possible sound quality throughout the signal path, with incredible clarity, warmth, and presence. Users can stock each Avid Stage 64 with up to 64 inputs and 32 outputs, selecting from a variety of analog and digital option cards. The Avid S6L control surface offers additional I/O, including 8×8 analog I/O, 8×8 AES I/O (4 pairs), two headphone outputs, and ancillary I/O such as MIDI and GPIO for added flexibility.

JTE Pixelline 1044

PixelLine 1044 is a RGB linear batten featuring 1044 high intensity LEDs. A lighting designer’s favourite, the 1044 is ideal for touring, television and theatre applications. Creates stunning effects and offers exceptional colour clarity from its vast LED colour palette. IP20 rated, outstanding longevity, very low power consumption and can be floor or truss mounted.

DSP AVID | VENUE | E6L ENGINE

Expand your processing power even further by adding an additional one or more DSP Mix Engine Cards to your system. Each 9-chip card increases your system power exponentially, so you can work with even more plugins in your mixes. And it’s an easy install into your system’s FOH Rack or Mix Rack.

Clay Paky Stormy CC

• 144 x 7W Oslon Osram LEDs (5,700 K, 50,000 h)
• LED Power: pulsed mode 980W max, continuous mode 720W max
• Perfect emulation of a bright Xenon strobe linear lamp
• 42 degree beam aperture; 130 degree spatial diffusion
• Total brightness: 40,000 lm
• DMX 512 control channels: 7
• RGBW system
• 0-100% adjustable dimmer
• Strobe pulse duration
• Strobe pulse rate
• Bracket adjustable on 360 degree
• Remote Device Management (RDM)

DSP WAVES EXTREME

Designed to handle the heaviest processing tasks, the SGS1 Extreme Server is Waves’ most powerful SoundGrid DSP server ever. Using SoundGrid Extreme, Sweetwater engineers have run over 500 instances of Waves stereo C4 Multiband Compressor or SSL E-Channel plug-ins, with down to 0.8ms latency. Spec’d with Intel’s i7 microprocessor, Extreme Server delivers over 40% more power than SoundGrid Server One. Housed in a rugged, roadworthy 2U rackmount chassis, Waves’ Extreme DSP Server is a major upgrade for your SoundGrid system.

Martin Atomic

It is a powerful, effective strobe with 3000 W of unleashed energy.

Like the most powerful light source in the world, the Atomic  is an ultra-bright, powerful stroboscope that provides explosive energy to clubs, concert tours, and mobile DJs of all sizes.

• 3000 W Stroboscope
• 5600 K Colour temperature
• Continuous blinder effect
• No cool down period via clever, integrated temperature regulation
• Variable flash intervals of 20 ms to 2 s
• Variable flash duration and intensity
• Preprogrammed special effects
• Self-adjusting power supply (90-260V, 50/60Hz)
• Flash tube with a long life
• Control via DMX
• Dimensions (LxWxH): 425 x 245 x 240 mm (9.5 in.)
• Weight: 7.5 kg

INTERFACE MADI DIGIGRID MGB

Compact and portable, the DiGiGrid MGB interface lets you plug any coaxial MADI-enabled device into the power of the Waves SoundGrid networking and processing platform. Record, process and playback up to 128 audio channels, using literally hundreds of Waves and third-party plugins, with super-low latency, clocking in at only 0.8 milliseconds! You can even record to two computers simultaneously: One for virtual soundcheck, the other for backup. So if you’re on the tour bus, in your hotel room, at the airport – wherever – you can quickly and conveniently setup your next show, using only your laptop.

ChamSys MagicQ MQ500M Stadium Console

MagicQ MQ500M Stadium offers the highest level of show control, supporting 256 universes directly from the console without need for external processors. RGB illuminated, fully motorised faders and encoders provide 42 playbacks, along with backlit keys for upgraded programming. Connect MagicQ MQ500M Wing for even greater control.

• 256 universes direct from the console
• 15 fully motorised fader playbacks
• 15 encoder playback with RGB indicators
• 12 multi-purpose Macro/Executes/Playbacks keys
• RGB illumination of playbacks
• Backlit buttons
• Dual Inbuilt 15″ Multi HD touch displays
• Up to 8 touch displays support (5 via remote network)
• Dual motorised 100mm crossfaders ideal for Theatre
• Inbuilt MagicVis Visualiser with full rendering of beams and gobos

AVID | VENUE | PROFILE SYSTEM

The VENUE Profile console can be used with one Mix Rack, or with FOH Rack and Stage Rack units.

• • 24 bankable input channel strips, each with a touch-sensitive fader, one multi-purpose assignable rotary encoder, solo, mute and select controls
• • Built-In High-Pass Filter, Dynamics and EQ processors on each input channel strip
• • Level meters on each input channel strip
• • Assignable Channel section with dedicated Bus Assign, Aux Send, Direct Output, EQ and Dynamics controls.
• • 8 multi-purpose Output faders strips, each with a touch-sensitive fader, one multi-purpose encoder, solo, mute and select controls
• • 1 Mains fader
• • Up to 24 31-band Graphic EQs available for Outputs
• • Main Busses configurable as Left–Center–Right or Left–Right+Mono

Ma Lighting GrandMA 3 Full Size

The grandMA3 full-size console is the flagship of the range. It offers the ultimate MA lighting control hardware and is designed for professionals that appreciate the hands-on flexibility that a no-compromise solution can offer.

• Real-time control for up to 250 000 parameters per session in connection with grandMA3 processing units
• 6 DMX outputs, 1 DMX input
• 3 internal foldable monitor multi-touch screens
• 3 internal letterbox multi-touch screens
• 2 internal multi-touch command screens
• 2 external multi-touch screens can be connected
• 2 multipurpose level wheels
• 2 multipurpose single encoder
• 71 rotary RGB backlit encoder
• 5 backlit dual encoders
• 30 backlit motorized 60mm faders
• 120 separate playbacks
• 16 assignable x-keys
• Integrated keyboard drawer
• Built-in uninterruptible power supply (UPS)
• 3 etherCON connectors, 6 USB connectors
• 2 backlit motorized A/B faders 100mm
• Individually backlit and dimmable silent (clickless) keys

Ma Lighting GrandMA3 light

The grandMA3 light console is the work-horse of the range. It provides the perfect combination of power and physical size. The grandMA3 light console is suitable for all but the most demanding productions, making it probably the most versatile lighting console available.

• Real-time control for up to 250 000 parameters per session in connection with grandMA3 processing units
• 6 DMX outputs, 1 DMX input
• 2 internal foldable monitor multi-touch screens
• 2 internal letterbox multi-touch screens
• 2 internal multi-touch command screens
• 2 external multi-touch screens can be connected
• 41 rotary RGB backlit encoder
• 5 backlit dual encoders
• 15 backlit motorized 60mm faders
• 60 separate playbacks
• 16 assignable x-keys
• Integrated keyboard drawer
• Built-in uninterruptible power supply (UPS)
• 3 etherCON connectors, 6 USB connectors
• 2 backlit motorized A/B faders 100mm
• Individually backlit and dimmable silent (clickless) keys

I/O AVID | VENUE | PROFILE STAGE RACK

• Up to 48 inputs with remotely controllable mic preamps and individually selectable Phantom Power
• Up to 48 outputs

MIDAS PRO2

The PRO2 is a mid-size mixing console and comes complete with a stage IO box and flight case.

Ma Lighting GrandMA2 full size

The grandMA2 full-size represents MA Lighting’s most powerful console and offers the control of conventional light, moving lights, LED fixtures and media from one platform.

• Real-time control for up to 65,536 parameters per session in connection with MA NPU (equivalent to 256 DMX universes)
• 8,192 HTP/LTP parameters
• 6 DMX outputs
• 3 internal TFT wide mode touchscreens (15.4″ WXGA)
• 2 external TFT screens can be connected (UXGA, touchscreens accepted)
• 1 internal command screen – multi-touch (9″ SVGA)
• 30 motorized executor faders
• Integrated keyboard drawer
• Built-in uninterruptible power supply (UPS)
• 2 etherCON connectors, 5 USB 2.0 connectors
• Motorized monitor wing
• 2 motorized A/B fader 100mm
• Individually backlit and dimmable silent (clickless) keys

Ma Lighting GrandMA2 light

I/O MIDAS DL251

• Mic/line inputs The DL251 has 48 mic/line inputs
• Line outputs The DL251 has 16 outputs
• MIDI units have in, out and thru MIDI socketssupplied as standard. (For use with Midas consoles only.)
• AES50: Three AES50 inputs/outputs provide connection to the console/snake via EtherCon® XLRs, which are configured for N+1 cable redundancy.
• Sample rate: Switchable between 96kHz and 48kHz sample rates.
• Ethernet: An Ethernet control socket on the rear panel allows Ethernet control via Cat 5e cable up to 100 m long.
• A/D Analogue to digital conversion is by default 24-bit, 96kHz.
• Gain range: From -2.5dB to +45dB in 2.5dB steps.
• Mute: A MUTE button on the rear panel will mute all outputs simultaneously for on-stage patching, if held in for longer than one second.
• Boot mode: A recessed boot mode button on the rear panel selects between normal operation and a service personnel-only configuration boot mode.
• Diagnostics: A D-type connector on the rear panel allows diagnostics (by service personnel only) to be carried out on the unit.
• Power supplies: Dual redundant power supplies, each with dual locking mains connectors

DiGiCo SD8

Ma Lighting GrandMA2 ultra-light

Ma Lighting MA onPC command wing

I/O DIGIRACK

DiGiRack 9U 24 In, 24 Out Rack

The standard DiGiCo DiGiRack has 7 input card slots and 7 output card slots. Each card has 8 sockets and therefore a fully loaded rack has 56 inputs and 56 outputs. Bidirectional cards (AES,and Ethersound) provide 8 inputs and 8 outputs per card. They are installed in the DiGiRack’s input slots and the same numbered output slot must be left empty.

This rack is loaded with 24 Analog Inputs, 24 Analog Outputs, and 24 AES/EBU I/O.

The DiGiCo DiGiRack also has 2 Hot swappable Power supplies. For extremely long distances, an optics option is available which includes Fibrecast and ST connections. As standard, there are 2 MADI Ports allowing for digital splits for recording or rack sharing between two consoles. Also, Each output slot can be programmed from the rack to provide a post pre amp feed from the analogue inputs. A wordclock input is also provided giving the ability for an entire DiGiCo system to sync to this wordclock input.

ALLEN HEATH DLIVE S5000

The S5000 is a medium-sized control Surface for the dLive MixRack, with the addition of built-in audio I/O and audio networking ports. It features 28 faders over 6 layers, dual 12″ capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.

Ma Lighting GrandMA2 fader wing

With the MA onPC fader wing, MA Lighting meets the requests for a mobile control solution that supplies real faders and executors in connection with the free of charge grandMA2 onPC software. Furthermore the MA onPC fader wing offers 2,048 parameters in conjunction with the grandMA2 onPC software that can be sent via its four built-in DMX-ports as well as via Ethernet protocols.

• Real-time control for 2,048 parameters in combination with grandMA2 onPC (up to 65,536 parameters as backup in the MA system)
• Expandable up to 4,096 parameters
• 4 DMX out (XLR 5pin)
• Fader/executor section similar to grandMA2 layout
• 15 executor faders, 45 executor buttons, 15 button executors
• Individually backlit and dimmable silent (clickless) keys
• USB port for external desk lamp
• Integrated universal power supply )
• Light, handy & rock solid
• Ergonomic design
• Just connect via USB to any PC running grandMA2 onPC

High End Hog 4

• Robust Hog 4 OS operating system
• 5 high-resolution parameter encoders
• Built-in tri-axis backlit trackball with cursor and parameter control functions
• 10 master playbacks with motorized faders and master control keys
• Dual 18.5” multi-touch screens, tilt adjustable
• Up to three external display port monitors, with touch or multitouch
• 8,192 output channels, expandable with DP8K processors
• 8 Neutrik XLR-5 DMX outputs
• sACN and Art-Net
• MIDI In, Out and Thru
• Dual EtherCon connections for HogNet and FixtureNet
• Integral keyboard drawer and storage drawer
• Width: 994mm / 39.1”
• Depth: 746mm / 29.4”
• Height (Monitor Up): 430mm / 16.9”
• Height (Monitor Down): 169mm / 6.7”
• Weight: 42kg / 92lb

I/O DLIVE DM64

The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP.

There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.

• 64 mic/line inputs, 32 line outputs
• XCVI 160×64 FPGA core
  • 96kHz sample rate
  • Variable bit-depth for ultimate precision and noise performance
  • Virtually infinite mix headroom thanks to 96bit accumulator
  • Class leading, ultra-low latency < 0.7ms
• 128 Input Channels with full processing
• 64 Mix Outputs with full processing
• Configurable 64 bus architecture (group, FX, aux, matrix, mains)
  • LR, LCR and up to 5.1mains mode
  • Multiple PFLs
• 16 RackExtra FX with dedicated stereo returns
• 16 DCAs
• Built-in signal generator and RTA
• New preamp design for extra transparency
• Unique Active PAD circuit for consistent performance with any source
• Connection hub
  • Dual redundant GigaACE gigabit link to Surface
  • 2x redundant DX links for I/O expansion
  • 3x I/O Ports – 128 ch 96 kHz each
  • Dedicated ME-1 48kHz port
  • 2x Network ports
  • Wordclock BNC I/O
• Dual redundant, hot swappable power supply
• Flush front panel with ultra quiet fan
• Reversible rack ears design

High End Road Hog 4

High End Systems Road Hog 4 is the most cost effective Hog ever. With a market leading 22” display with 10 points of multi-touch, all in a compact package, now with networking and Art-Net outputs. The Road Hog 4 is unparalleled in the industry. Allowing full expansion in a compact package not only does this Hog pack an enormous punch but it is also the most affordable Hog console in a generation.

The programming interface remains familiar with the minutest of changes to allow for the compact chassis allowing the user to transition across the whole range without sacrificing work flow. And remember, due to the extendibility of adding Wings, Widgets and the DP8000; the Road Hog 4 console is as universal as the Hog 4 model.

• Robust Hog 4 OS operating system
• 4 high-resolution parameter encoders
• 10 master playbacks with non-motorized faders and master control keys
• Single 22” multi-touch screen
• One external DVI-I monitor supported, touch or multi-touch
• 4,098 output channels, expandable with DP8K processors
• Dual EtherCon connections for HogNet and FixtureNet
• Size (LxWxH): 26.7” x 27.61” x 8.10” (678.18 x 701.32x 205.8mm)
• Weight: 38.6 lbs (17.5 kg)

ALLEN&HEATH DLIVE WAVES

The Waves V3 Audio Networking Card (M-DL-WAVES3) is one of several audio networking options that can be fitted to an Allen & Heath dLive or Avantis I/O Port. It provides a 128x128ch 48/96kHz interface to the Waves SoundGrid networking platform, for several applications including Waves plugin processing, audio distribution, and digital mic splitting. It also offers a super convenient way of recording 128 tracks of 96kHz audio, into a Windows or Mac computer, over a single CAT cable.

High End Wholehog III

The Wholehog 3 represents the contemporary evolution of a world-renowned lighting console legacy. It has a refined and sophisticated presence that’s unmistakable: the unique silhouette, precision-machined aluminum and sleek blue anodized finish. Sophisticated engineering and well established control surfaces ensure a creative programming experience.  With the perfect blend of style and function, the Wholehog 3 console stands at the top of the Wholehog line as a leader for all types of productions.

For supreme scalability, the console provides two monitor outputs, keyboard and mouse ports, MIDI input and output ports, two USB ports, Fast Ethernet on a rugged Neutrik Ethercon connector, and speakers with stereo audio output. You’re prepared for everything from the smallest industrial job to the largest stadium show, theme park installation or Broadway spectacular.

• Robust Wholehog Operating Software
• Unlimited number of simultaneous crossfades
• Two internal 12-inch high-brightness color touchscreens
• Two external monitors or touchscreens supported
• Backlit trackball with four configurable buttons for cursor and position control
• Ten playback faders with familiar playback controls
  • (Choose, Go, Pause, & Flash)
• Dedicated Intensity and Rate wheels
• 36 Soft-Keys for quick toolbar selections
• Hog-Net Ethercon connector
• Internal Hard disk drive
• Internal CDRW drive
• Internal ZIP drive
• USB ports for Wholehog wings and external touchscreens
• Real time clock
• Desklights, feedback LEDs, and integrated worklight all dimmable
• Auto-ranging mains input (90-250VAC)
• Visualizer Console Edition dongles included
• Dust cover included
• Custom Road Case included

ALLEN&HEATH DLIVE DANTE

Dante is a ground breaking, Ethernet compliant audio networking technology developed by Audinate to satisfy the increasing demands of the live sound industry for high performance audio, routing flexibility and affordable direct to computer recording. It uses CAT5 cable and standard networking components to distribute multiple streams of audio plus integrated control data with sub millisecond latency.

• 64 channel bi-directional audio plus control over CAT5
• Uses standard, off-the-shelf computer networking equipment
• Self discovery and auto-configuration of IP addresses
• Easy to add, name, remove and rearrange devices
• Wide range of Dante enabled equipment becoming available
• Secondary port for redundant network option
• Control port to bridge dLive or other network over Dante
• Sample accurate playback syncronisation
• Very low latency
• Gigabit ports
• Direct connection to computer for multitrack recording
• Dante Virtual Soundcard software replaces expensive hardware
• Dante Controller software available for setting up the network

YAMAHA M7CL-ES

his model features eight OMNI IN jacks, eight OMNI OUT jacks and EtherSound connectors, enabling you to use 48 INPUT and 24 OUTPUT channels.

High End Hog iPC

The Hog iPC console is a small, mid-range controller which offers maximum flexibility for programmers. It is designed to use the Wholehog 3 control system – so you get the most advanced features and functionality – but it’s also backward compatible with the classic Wholehog 2 software. It’s the industry’s first hybrid console.

• Supports multiple USB Playback and Expansion Wings
• MIDI Input, Output, and Thru supports MIDI Show Control and MIDI Time Code
• Single LTC input via 3 pin female XLR connector
• Connectivity with Wholehog DMX Processors (DP)
• Connectivity with many visualizers via Ethernet
• Wired and wireless networking ability with multiple Hog 3PC computers, Road Hog Full Boar consoles, Hog
• iPC consoles, and Wholehog 3 console systems
• Remote Focus capabilities when networked with a tablet PC running Hog 3PC software
• Hog 3PC software is standard operating system. Backward compatible with Hog 2PC software for maximum flexibility
• 2048 to 4096 DMX-512 channels via USB
• Unlimited number of DMX channels via Ethernet DPs
• Unlimited number of simultaneous crossfades
• Thousands of Cues, Cue parts, Cue lists, chases, effects, groups, palettes, pages, macros
• Designed for easy maintenance
• Auto-ranging mains input (90-250 VAC)

High End Wholehog III Expansion wing

The Wholehog Expansion Wing provides additional playback capabilities for the Wholehog 3 Console, Hog iPC Console, Road Hog consoles or Hog 3PC software. It uses the same high quality controls as found on the Wholehog 3 console, ensuring responsive and reliable operation. Two Wholehog LED desklights are supplied, fully dimmable and software controllable. Bright LCD displays clearly indicate playback bar data in relation to each master.

One Expansion Wing adds 40 playbacks to any Wholehog system: 20 playbacks each include Choose, Go, Halt and Flash buttons as well as a Penny & Giles fader. An additional 20 faderless playbacks each include Choose, Go, Halt and Flash buttons.

Styled in a similar manner to the Wholehog 3 console, the Expansion Wing is equally at home connected to a laptop, a desktop PC, a Hog iPC console, Road Hog consoles or a Wholehog 3 console.

A custom-made flightcase is included to protect your investment.

• USB connection to Wholehog 3 console, Hog iPC console, Road Hog console or Hog 3PC computer
• Internal USB hub supporting two external devices
• Sockets for two Wholehog LED desklights (supplied), fully dimmable
• Full Wholehog playback masters, identical to those on the console
• Multiple playback wings can be connected to the Wholehog software
• Ability to toggle Chosen Master and central controls
• Rugged, sleek anodized blue casing
• Adjustable LCD displays for playback bar status
• Status LEDs for power, hub status, and data in/out

• One type B USB input socket
• Two type A USB output sockets
• 20 masters, each with Choose, Go, Halt and Flash buttons and a Penny & Giles fader
• 20 faderless masters, each with Choose, Go, Halt and Flash buttons
• Next Page, Assert, Release, Skip Forward, Skip Backward Halt, Go, Enable, and Pig buttons
• LCD displays are software dimmable
• Bi-colour LEDs and desklights are software-dimmable
• Status LEDs for power, hub status and data in/out
• Designed for easy maintenance
• Auto-ranging mains input (90-250 VAC)

I/O YAMAHA SB168ES STAGE RACK (16CH)

The SB168-ES can be used as a general-purpose analog I/O box. Supported sampling rates are 44.1 kHz and 48 kHz (88.2 kHz and 96 kHz are not supported)

BEHRINGER X-32

The Behringer X32 has changed the game by completely rethinking what is possible from a digital mixer – and hundreds of thousands of users are enjoying the results. A fluid workflow coupled with a fully interactive user interface ensures immediate familiarity and instills confidence. Advanced engineering and meticulous design deliver stellar sonic performance at an extremely affordable price – changing the game entirely.

• 40-input channel, 25-bus digital mixing console for Studio and Live application
• 32 Midas-designed, fully programmable mic preamps for audiophile sound quality
• 25 Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control
• 16 XLR outputs plus 6 additional line in/outputs, 2 phones connectors and a talkback section with integrated or external mic
• Individual and dynamic LCD Scribble Strips on all channels and buses creating easy assignment and intuitive channel distinction
• 32 x 32 channel USB 2.0 audio interface, with DAW remote control emulating HUI* and Mackie Control*

High End Hog 3PC superwidget

When used in conjunction with Hog 3PC software, up to 2 DMX Super Widgets may be connected at once via a USB Hub to provide 8 full universes of DMX 512. This configuration provides an excellent solution for backup and playback only applications. By adding Wholehog Programming, Expansion and Playback Wings, users can configure powerful control solutions that precisely suit their needs and budgets. The USB DMX Super Widget is also fully compatible with the classic Hog 2PC application.

• USB connection to Road Hog Full Boar console, Hog iPC console or Hog 3PC computer
• Four DMX 512 outputs on 5-pin XLR connectors
• 2048 channels total output capacity
• Up to two units can be connected via a USB Hub
• Rugged, sleek black metal package that can be stacked
• Status LEDs for power and data in/out
• Kensington Security Slot
• One USB input connector
• External power supply included

BEHRINGER X-32 PRODUCCER

Thanks to its legendary onboard X32 mix engine, the X32 PRODUCER can be your top-notch studio recording interface today, control a complex theater production tomorrow, or sit securely in your side-rack while you mix your band’s club gig from your iPad. A revolution in its own right, the incredible X32 PRODUCER combines the finest analog I/O and powerful digital connectivity with ample processing for 40 channels, 25 buses and up to 152 signal sources.

• 40-input channel, 25-bus rack-mountable digital mixing console for Studio and Live application
• 16 Midas-designed, fully programmable mic preamps for audiophile sound quality
• 17 Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control
• 8 XLR outputs plus 6 additional line in/outputs, a phones connector and a talkback section with XLR mic input
• 32 x 32 channel USB 2.0 audio interface, with DAW remote control emulating HUI* and Mackie Control*

Showtec Scanmaster 2 Mk2

Robert Juliat MANON

The full range of features on Manon brings Robert Juliat quality within reach of all budgets. Long lamp life and low running costs provide a powerful, cost-effective solution for mid-size theatres, shows and rental companies alike.

Features

• Fully closing iris cassette: Removable for fast, easyreplacement; protective backplate for extended lifespan• Universal adjustable gobo holder: A-size glass and metalgobos
• Ergonomic dimmer control: One-handed dim, pan and tilt.Dimmer control can be adjusted to suit the operator’spreference
• Smooth dimmer shutter: Retains flat beam and colourtemperature when dimming
• Frost filter: On flip lever for quick soft-edge beam effect
• Horizontal chopper (optional): For masking control in TVstudios and wide stages
• Internal glass filter holder: Long term use of durablecoloured, dichroic or textured glass
• Individually removable colour frame: Gels replaced easilywhile colour cassette remains in place
• Colour changer: 6-way, ‘push/pull’ colour changer systemfor simultaneous use of multiple filters (boomerang optional)
• Easy focus reference: Graduated scale on side of lantern;fast and easy refocusing
• Adjustable yoke (optional): For optimum overheadpositioning
• Fine balance: Precision positioning and smooth operationeven with the smallest movements
• Stand: Perfectly weighted for maximum stability with smoothrotation for optimum performance. Easy set up; triple safetysystem for extra security

BEHRINGER X-32 RACK

Thanks to its legendary onboard X32 mix engine, the X32 RACK can be your top-notch studio recording interface today, control a complex theater production tomorrow, or sit securely in your side-rack while you mix your band’s club gig from your iPad. A revolution in its own right, the incredible X32 RACK combines the finest analog I/O and powerful digital connectivity with ample processing for 40 channels, 25 buses and up to 152 signal sources.

• 40-input channel, 25-bus, 3U rack-mountable digital mixer for live and installed sound application
• 16 Midas-designed, fully programmable mic preamps for audiophile sound quality
• 8 XLR outputs plus 6 additional line in/outputs, a phones connector and a talkback section with XLR mic input
• 32 x 32 channel USB 2.0 audio interface

MIDAS M32

Clearcom MS-702

Compact, feature-laden, single rack-space intercom main station supports up to 40 RS-601 beltpacks, 10 speaker stations or 12 headset stations on two channels.

Other features include:
– Channel A-B linking
– Program input with individual channel level controls
– Remote Mic Kill switch
– External relay circuit
– Stage Announce

Robert Juliat MERLIN 2500

Merlin is the culmination of an ambitious project to produce a powerful, rugged followspot for the touring market. Designed to complement Robert Juliat’s Grand, Compact and Ultra-Compact ranges, Merlin is the result of in-depth consultation with rental companies, lighting designers and professional followspot operators. With an output that belies its 2500W HMI lamp and a massive 3°-12° beam range, Merlin covers both long and medium throw ranges in one unit.

Merlin delivers a performance that outshines the ever-increasing power of LED lighting and videowall backlighting, while newly designed bodywork ensures Merlin is easy to transport, install and maintain, tough enough for the road and supremely tourable.

• Exclusive zoom from 3° to 12°
• Onboard electronic PSU. Plug & play installation
• Hot restrike lamp for instantaneous re-ignition in case of power installation failure
• RDM and wireless DMX
• 4 lifting points integrated for vertical and horizontal handling
• Horizontal and vertical choppers for adjustable rectangular projection
• Fully closing iris cassette
• 6-way colour-changer,self-cancelling boomerang type
• Ergonomic handles for comfort, safety and practicality from any operating position
• Frost filter for quick soft edge beam effect
• RJ Eco Mode: reduction of power consumption when the followspot is in a stand-by mode
• Adjustable yoke for optimum overhead positioning
• Fade to Black DMX: optional DMX dimmer module accessory for optimum control direct from the console
• RJ Diagnostic System: for optimum operation capacities, providing feedback information locally and remotely
• Highly efficient multi-zone cooling of lamp house and oversized lamp holder heat-sinks for maximum reliability and durability
• 3 minutes automatic cooling down process when switching off the lamp for fast and easy packing

MIDAS M32R

LDR Canto 2000

This is the most powerful dimmable tungsten halogen followspot in the range and is now available in the upgraded, completely re-engineered MK2 version. With a full complement of operational features, this 2000W spotlight includes a double condenser zoom optical system, double microswitch interlock for safe lamp replacement, a large side handle control pan and tilt movement. An iris diaphgram, mechanical dimmer, spigot, colour frame and 2m mains cable are all included as standard. A five-colour colour charger unit is available as an optional extra.

• > 2000 W / GY16 / CP72
• > Beam angle: 8 – 22°
• > Weight: 18,0 kg
• > Dimensions: 980 x 350 x 232 mm

I/O INTERFACES KLARK-TEKNIK DN9650

DN9650 provides a multichannel interface between AES50 networks and third party digital audio networks and point-to-point interfaces.

MEYER SOUND MJF 212

Clay Paky Shadow 1200

The Shadow QS-ST is a 1200 W intelligent followspot for medium-long range coverage needs. Its power and luminous efficiency make it particularly suitable for use in television or cinema.
Thanks to its reduced size and compact shape, it is recommended as a truss-mounted followspot. A system of interchangeable lenses (normal or optional wide-angle) means it can be used at an optimal range of between 10 and 30 metres.

• Intelligent short-throw followspot for medium-long range use
• 1200 W discharge lamp
• Adjustable electronic control panel (90°) with practical push buttons and sliders
• Standard 11.4° lens (optimal range of between 10 and 25 m)
• Optional 24.7° wide-angle lens (optimal range of between 5 and 10 m)
• Colour wheel with 7 colours + CTO filter + CTB filter
• Fixed gobo holder
• 0-100% iris with adjustable gradual opening speed
• 0-100% mechanical linear dimmer + stop/strobe
• Simultaneous control of several followspots from a remote control desk or single control panel.

PR Lighting Orland follow spot 1200

Idea for theatrical productions, the Orland Followspot has it is own DMX controller mounted on the adjustable bracket. The Orland Follow can also be remotely controlled via standard DMX-512.

Power: 220V/60Hz
Lamp: HMI 1200W/GS
Color Temperature: 6000°K
Manufacturer’s Rated Lamp Life: 1000 Hours

Colors:
7 dichroic colors plus white
Rainbow effect at variable speeds

Filters:
1 Frost Filter
2 Color temperature correction filters, 3200°K and 6000°

Focus: Manually Adjustable
Shutter/Strobe: 2 blade shutter for dimming, blackout and strobe 1~7 F.P.S.
Iris: Continuously variable low noise iris
Motors: 5 Stepper Motors

Control:
DMX-512 (4 Channels)
Supplied with dedicated manual controller

Beam Angle: 12º

Optional Accessories:
Transformer for 120V Use (Code: PR-TRS)
Stand (Code: PR-1211S)

Code: PR-1211

Unit Dimensions: 49.3″ x 19.7″ x 13″
Unit Weight: 94.8 lbs

Shipping Dimensions: 60″ x 19″ x 16″ (Ships via Truck Only)
Shipping Weight: 139 lbs (Ships via Truck Only)

MEYER SOUND MJF 210

The MJF-210 low-profile high-power stage monitor reproduces audio faithfully with high intelligibility at high outputs levels with ample low-frequency headroom. The self-powered MJF-210 exceeds the stringent requirements of today’s touring applications, withstanding the rigors of road and stage while occupying a small, lightweight footprint and a fraction of the truck space of similar monitors requiring external amplification. The MJF-210’s phase-corrected 55 Hz to 18 kHz frequency range ensures that vocals and instruments are reproduced accurately with low distortion and no signal coloration. Exhibiting flat amplitude and phase responses, as well as exceptional impulse response, the MJF-210 surpasses the sonic capabilities of conventional  stage monitors while offering the simplicity of self-powered setup and operation.

L-ACOUSTICS HIQ115

Clearcom DX210

DX210 offers the perfect blend of wireless intercom performance, system compatibility with wired intercom systems, and ease of use. Operating in the 2.4GHz band, the DX210 delivers exceptional sound clarity and enables interference-free communication for highly demanding productions.

The DX210 is a two-channel intercom system that has advanced the capabilities of the legendary DX200. It can interface with Clear-Com’s or RTS’ 2-wire systems, and provides two separate 2-wire and 4-wire interconnections.

Showtec Vintage Blaze ’55

Showtec Matrix 5×5 Blinder

The Showtec Matrix is an extraordinary blinder! It offers room to 25 Par 30 lamps of 75 watts (lamps not included). The Matrix has four DMX modes, the easiest of which only uses four DMX channels and lets you simply operate the Matrix with the built-in macros. The most advanced mode uses 29 channels and lets you control all lamps and macros independently. Besides that, a 35-channel DMX mode allows you to use pixel mapping with the Showtec Matrix.

The Matrix is easy to connect with its fast-lock connector system. Furthermore, it has a Neutrik PowerCon power supply and 3 and 5-pole XLR connectors for DMX data transfers. With the digital LED display, addressing is very easy.

SUB JBL SRX718

• 18 inch, 2268H Differential Drive® woofer for extended low-frequency output
• Large port area for reduced distortion
• 20 mm threaded pole socket forsolid, secure satellite speaker mounting

JBL VRX 915

• Compact and low-profile for minimal obstruction of audience sightlines
• 50° x 90° nominal coverage
• Bi-amplified or full-range passive operation
• Differential Drive® woofer with neodymium magnet for high power capacity and very light weight
• 4″ (voice coil) diameter compression driver with neodymium magnet

Showtec Sunstrip active

The Sunstrip Active DMX MKII is a powerful device and the successor to the popular Showtec Sunstrip Active. For added flexibility and the option of more application usages, a selection of DMX modes can be chosen from: 1 channel, 2 channels, 5 channels and 10 channels. For stand-alone applications, the Sunstrip Active is equipped with 16 built-in patterns as well as a manual dimmer. With the Neutrik power twist in- and outputs, the Sunstrip is also ideal for more demanding on-the-road purposes. Easy to install, the it is equipped with two wall / floor brackets, as well as several M10 nuts to position the clamp in the desired position.

• Built-in programs
• Power twist in- and output
• Includes mounting / floor brackets
• Lamps are also included
• Voltage output: 240 V, 50 Hz
• Power consumption: 550 W
• Control mode: DMX (Selectable: 1, 2, 5 or 10 channels)
• Current: 3.5 A
• Fuse: F6.3A
• 10x Lamps 240V / 50W, GU10
• Weight: 5.32 kg
• Dimensions: 1000 x 130 x 77 mm

JBL SRX 712

The SRX712M was designed with one goal – build the lightest, smallest, loudest, clearest stage monitor possible while delivering strikingly professional appearance.

• Compact and low-profile for minimal obstruction of audience sight-lines.
• 90°x 50° nominal coverage.
• Bi-amplified or full-range passive operation.
• Dual-angle pole socket for applications requiring tripod mounting.
• Optional yoke available for trussmounted or suspended applications.
• Neodymium magnet Differential Drive® woofer for high-power capacity and very light-weight.
• 3 in (diaphragm) neodymium magnet compression driver.

PR Lighting PRO PAR 600W

Pro Par Again based on the GKV 600W lamp the Pro Par is capable of giving almost as much light as a traditional 1000W par 64 parcan. The housing is elegantly designed for easy installation and operation. The Pro Par is supplied as standard with four lenses that can be easily substituted to provide various beam widths and shapes.

15″ ACTIVE MONITOR & PA LOUDSPEAKERS (JBL PRX615)

The 2-way 15″ is the most recognizable form of portable PA loudspeakers and offers the perfect balance between size and performance. The PRX615M truly is an exception; it’s small, light weight, versatile and powerful.

• Maximum SPL Output 135db peak
• 380 mm (15 in) Differential Drive® dual voice-coil and magnetic gap, neodymium woofer
• 37.5mm (1.5 in) annular polymer diaphragm, neodymium magnet compression driver
• 1000 Watt (dual 500 watt) Class-D, Crown® digital amplifier
• DSP input section with dbx® Type IV™ limiter circuit, crossover, dynamic limiting, component optimization, selectable system EQ
• Professional XLR line and ¼” Mic/Instrument inputs, with loop through
• Integrated 36mm dual-angle pole mount socket
• Large die-cast aluminum handle bar with a fine tuned ergonomic rubber grip for maximum comfort
• 8 M10 Suspension points and 1 pullback point

Studio Due CS-4

The innovative mobile par-64. CS4/C are projectors of the last generation, exclusively created to enrich traditional scenographies where the PAR-64 are used, allowing the use of a great number of scenes yet using only a few units: this also means a fast installation and the reduction of space for the transport.

12″ ACTIVE MONITOR & PA LOUDSPEAKERS (TURBOSOUND IQ12)

The 2,500-Watt iQ12 is a powered two-way loudspeaker ideally suited for a wide range of portable and fixed installation, music and speech sound reinforcement applications. The driver complement includes an 12″ low frequency driver with a low mass voice coil for improved transient response, and a high temperature 1″ compression driver with copper-clad aluminium voice coil for extended high frequency reproduction.

Showtec Stage blinder 8 DMX

The Stage Blinder 8 DMX is an active version of the already popular Stage Blinder 8. It has a built-in 4 channel dimmer so that the Stage Blinder can be controlled and dimmed by DMX with groups of 2 bulbs. Please note that because of the high power consumption of 8 x PAR 36 DWE this unit has 2 power inputs to split the power.

Showtec Stage Blinder 2 DMX

The Stage Blinder 2 DMX is an active version of the already popular Stage Blinder 2.
It has a built-in 1 channel dimmer so that the Stage Blinder can be controlled and dimmed by DMX.

18″ ACTIVE MONITOR & PA LOUDSPEAKERS (TURDOSOUND IQ15)

The 3,000-Watt iQ18B is a front loaded 18″ powered subwoofer ideally suited for a wide range of portable and fi xed installation, music and speech sound reinforcement applications. The high excursion 18″ low frequency driver with double suspension low mass 4″ voice coil provides fast and accurate transient response for virtually distortion-free operation – even in the most demanding performances.

GENELEC 8050

The 8050B has power in abundance, making it ideally suited to larger spaces and longer listening distances.

TRANSMITTER SHURE PSM 1000 (2CH)

The PSM 1000 Personal Monitor System from Shure brings personal monitoring to its most advanced level yet. The full-rack, dual-channel, networkable transmitter is ideally suited for the demands of professional touring and installation applications, and the diversity bodypack receivers deliver pristine RF signal and audio quality. Networkability over Ethernet connection enables remote control of transmitter functions and comprehensive frequency coordination via Wireless Workbench software.

SHURE P10R WIRELESS DIVERSITY Bodypack Receiver

Diversity wireless bodypack receiver offers premium features for use with the PSM 1000 In-Ear Personal Monitoring System. Includes RF Scan, twin-antenna diversity stereo encoding, CueMode for monitoring different mixes, and MixMode Technology.

RECEIVER SHURE P10R+ (DIVERSITY BODYPACK RECEIVER)

With a hybrid analog/digital architecture, the P10R+ twin-antenna diversity Bodypack Receiver offers the highest level of sound personalization yet, putting category-leading audio quality, robust RF performance, and touring-grade features right at your fingertips.

TRANSMITTER SENNHEISER SR2050

The SR 2050 rack-mount twin transmitter is an in-ear monitoring system designed to meet the highest demands for audio quality and RF transmission and is therefore the first choice for professional touring, broadcast, musical and theater applications. Network-compatible and remotely controllable with the Wireless System Manager (WSM) software.

RECEIVER SENNHEISER SK2000

This lightweight yet extremely rugged bodypack transmitter is a delight for both the musician and the audience. With an AF frequency response of 25 to 20,000 Hz, it transmits even the sound of a bass guitar with rich fundamentals. Three RF output powers (four in the US version) provide longer transmission ranges or more channels per frequency range. The rechargeable batteries of the SK 2000 (optional) can be charged right in the unit using the external charging contacts.

TRANSMITTER SENNHEISER EW 300 G3

Hear better, perform better. Sennheiser monitoring systems are trusted by professionals worldwide and now are better than ever.

RECEIVER SENNHEISER G3

Its adaptive-diversity technology provides excellent reception at all times.

SHURE AD2 (BETA58A)

The AD2/B58 is a handheld wireless microphone transmitter compatible with Axient® Digital Wireless Systems. With breakthrough RF performance and wide tuning up to 184 MHz, the AD2/B58 puts professional-quality wireless digital audio within reach.

SHURE AD1 (TRANSMITTER)

The AD1 is a wireless bodypack transmitter compatible with Axient® Digital Wireless Systems. With breakthrough RF performance and wide tuning up to 184 MHz, the AD1 puts professional-quality wireless digital audio within reach.

SHURE AD4Q (RECEIVER)

The AD4Q Four-Channel Digital Receiver sets a new standard in spectral efficiency. Groundbreaking performance features include wide tuning, low latency, High Density (HD) mode, and Quadversity, ensuring solid performance in the most challenging RF environments. Networked control, AES3 + AES67 + Dante™ output, and signal routing options bring a new level of management and flexibility to your entire workflow.

SHURE ULXD2 (BETA58A)

The Shure ULXD2 is a handheld wireless transmitter compatible with ULX-D Digital Wireless Systems. With a rugged yet lightweight aluminum body and integrated antenna, the ULXD2 delivers uncompromising audio quality and RF performance, AES 256-bit encryption for secure transmission, and advanced rechargeability options for professional sound reinforcement applications.

SHURE ULXD1 (TRANSMITTER)

The ULXD1 is a wireless bodypack transmitter compatible with ULX-D Digital Wireless Systems. With a rugged yet lightweight aluminum case, the ULXD1 delivers uncompromising audio quality and RF performance, AES 256-bit encryption for secure transmission, and advanced rechargeability options for professional sound reinforcement applications.

SHURE ULXD4Q (RECEIVER)

The Shure ULXD4Q Quad Channel Digital Wireless Receiver offers four channels of uncompromising audio quality, RF signal stability, and advanced setup features in a space-efficient single rack unit. Rugged yet lightweight and compact, the 1RU all-metal chassis houses four independent receivers, each with its own audio and RF meters, gain control, and XLR outputs that can be either direct or summed for flexible signal routing.

SHURE ULXD4 (RECEIVER)

Digital wireless receiver offers a spectrum and RF intelligent option for use in any professional sound reinforcement application. Features include Digital Predictive Switching Diversity, 72 MHz tuning range, and AES 256 encryption for security.

SHURE QLXD2 (BETA58A)

Featuring transparent 24-bit digital audio quality and incredibly efficient RF spectrum usage, the QLXD2 handheld transmitter is ideal for wireless vocals in presentation spaces, music venues, and houses of worship. Easy to use, the QLXD2 quickly syncs with a wireless receiver over IR at the push of a button and maintains clear, uninterrupted signal over its entire 100 m (330 ft.) range. All metal construction ensures durability, and a wide selection of compatible microphone choices offer legendary Shure sound signatures.

SHURE QLXD1 (TRANSMITTER)

Featuring transparent 24 bit digital audio quality and incredibly efficient RF spectrum usage, the QLXD1 bodypack transmitter is ideal for wireless vocals and instruments in presentation spaces, music venues, and houses of worship. Easy to use, the QLXD1 quickly syncs with a wireless receiver over IR at the push of a button and maintains clear, uninterrupted signal over its entire 100 m (330 ft.) range. All metal construction ensures durability, and a wide selection of compatible microphone choices offer legendary Shure sound signatures.

SHURE QLXD4 (RECEIVER)

Digital wireless receiver combines professional features with streamlined set-up and operation. Features include Automatic Channel scan, Networked Channel Scan, digital predictive switching, and AES 256 encryption for security.

SHURE ULXP2 (BETA58A)

The ULXP2/BETA58 is a handheld microphone featuring the capsule of the legendary BETA58 vocal microphone with a supercardioid pickup pattern. The transmitter is equipped with a backlit LCD display showing battery level, channel number, group number, on/off.

SHURE ULX1 (TRANSMITTER)

The ULX1 Bodypack Transmitter has a number of uses with ULX Professional systems from Shure, including Lavalier, Headworn, Guitar/Bass, Instrument, and system Combos.

The low-profile, highly durable body-pack ULX1 has all the characteristics to meet the demands of high performance.

SHURE ULXP4 (RECEIVER)

The Shure ULX® Professional wireless receiver offers an exceptional value in both performance and price, for both working musicians and sound installers. The expanded feature set of the ULXP4 wireless receiver, with advanced settings and controls including lockable settings and group scan, offers a direct path to full, clear audio signals.

SHURE SLX24 (BETA58A) + (RECEIVER)

The SLX24/BETA58 features a half-rack receiver housed in a rugged, full-metal chassis. It utilizes Predictive Switching Diversity to protect the transmission from RF interference. The receiver’s auto-scan function searches a 24 MHz UHF tuning range with 960 selectable frequencies available, seeking out a clean, interference-free channel, even when operating multiple systems simultaneously.

This configuration includes the SLX2 handheld transmitter with an interchangeable capsule design and equipped with a Beta 58A dynamic capsule with a supercardioid pickup pattern, which focuses on speech, helping to reduce feedback on loud stages. The handheld transmitter provides up to 8 hours of operation on two AA batteries, with a fixed 30mW RF power output and a transmission range up to 330′. Up to 12 wireless mics can operate simultaneously in the same space.

SHURE PGX24 (SM58) + (RECEIVER)

The PGX4 receiver operates over an 18MHz UHF bandwidth with the flexibility of selecting up to 90 UHF frequencies. The diversity design enables dual internal receiver circuits to compete for the strongest possible reception. The result minimizes noise and RF interference. The rear panel features XLR and 1/4″ phone outputs. An infrared port enables frequency information to sync with the transmitter remotely.

The PGX2 handheld transmitter includes the SM58 cardioid microphone head. The cardioid polar pattern reduces pick up at the off-axis sections of the capsule, reducing noise and providing higher gain-before-feedback response. A 2-position input level switch adjusts input level and reduces noise due to signal overload. The transmitter operates up to 8 hours on 2 AA-size batteries.

SENNHEISER SKM6000 (E945)

The handheld transmitter SKM 6000 is intermodulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits maximum spectral efficiency even in the toughest frequency ranges. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability. The legendary Sennheiser Digital Audio Codec (SeDAC) guarantees clear, artifact-free sound and optimum dynamics. In Link Density mode up to 5 links per 1 MHz bandwidth are possible.

The SKM 6000 is compatible with Sennheiser and Neumann capsule heads and hence perfectly prepared for any stage, voice and requirement (evolution wireless, 2000, Digital 9000, Neumann KK 204 and KK 205).

SENNHEISER SK6000 (TRANSMITTER)

The pocket transmitter SK 6000 is intermodulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits, even in the toughest frequency ranges, maximum spectral efficiency. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability. The legendary Sennheiser Digital Audio Codec (SeDAC) guarantees clear, artifact-free sound and optimum dynamics. In Link Density mode up to 5 links per 1 MHz bandwidth are possible.

SENNHEISER EM6000 (RECEIVER)

The Sennheiser EM 6000 is a Digital 6000 Series, two-channel wireless receiver engineered to deliver superb audio and mission-critical transmission reliability for the most complex live productions regardless of how demanding the RF environment. It is ideal for touring and rental companies, theater and musical events, broadcasting, large places of worship, and corporate applications.

KSM9 CAPSULE

Wireless capsule KSM9 with a protective grille for radio transmitters.

4018VL LINEAR SUPERCARDIOID CAPSULE

Supercardioid microphone capsule.

NEUMANN KK205 SUPERCARDIOID CONDENSER CAPSULE

The KK 205 is a premium quality capsule head for Sennheiser SKM 2000/6000/9000 handheld transmitters as well as EW G4 300/500 and EW-D wireless systems. Its precision manufactured condenser capsule offers true Neumann sound, combined with the freedom of wireless operation and all the virtues of a rugged stage microphone: excellent pop protection, enormous SPL capability, and high feedback resistance.

SHURE BETA 53

Headworn vocal microphone for detailed, uncolored sound in an ultra-thin and fully adjustable design. Features comfortable behind-the-ear Dynaflex® earforms, a discreet, detachable microphone boom mount and interchangeable frequency response caps.

SENNHEISER HSP4

High-quality permanently polarized condenser headmic with cardioid pick-up pattern, designed for professional “hands-free” applications. The adjustable neckband is visually unobtrusive and very comfortable to wear. The twelve available HSP 4 variants differ in color, size and connector.

For wireless applications, the headmic can be used with different Sennheiser bodypack transmitters, depending on the connection cable (see “Variants”). For wired applications, the headmic can be used with the MZA 900 P / MZA 900 P-4 phantom power adapter.

YAMAHA MAPLE CUSTOM

Shortly after its introduction, the MAPLE CUSTOM series became the new standard for the sound quality of professional maple drums, delivering the longevity and warmth recognized by many drummers around the world. They are equally good for both stage and studio work.

PEARL REFERENCE PURE

Derived from the shell blends of the sonically optimized Reference Recipe, each Reference Pure drum shell is comprised of reduced thickness premium wood layers. The resulting EvenPly shells beautifully capture every nuance of your unrestrained drumming voice. Combining the ultra thin EvenPly shell with more efficient hardware reduces overall drum weight by 30%, increasing resonance, improving bottom end, and accentuating Reference Pure’s nuanced, close range playing experience.A smooth balance between pronounced cut and refined tonal punch, Reference Pure’s Snare combination of premium materials creates a distinct sound that complements any drum setup.

PEARL MASTERS

Masters Maple Complete’s thin premium Maple shell fits in the tonal center of any musical situation. It is designed to deliver a definitive blend of warm, centered midrange and powerful rounded punch. Masters Maple Complete’s total sound is enhanced by strong hardware elements and is designed to hold tuning under heavy play without inhibiting shell resonance. With enough top end power to cut through the mix, Masters Maple Complete snares have smooth tonal mids that make them an excellent complement to the total Masters sound.

DW COLLECTORS

Great sounding drums that inspire to play. DW drums have warmth, sustain, low sound.

YAMAHA STAGE CUSTOM

The staggered diagonal seam allowed Yamaha to build a thin drum shell that will start round and stay round. The low-mass lugs lets the shell vibrate for superb tone and sustain. Yamaha’s Air Seal System used for drum shell construction ensures each and every Yamaha drum shell is of uniform thickness and is perfectly round to achieve superior tone quality and durability.

SONOR FORCE 3007

The Force 3007 kit is a well-appointed upgrade from the 3005 range and rather intriguingly, features maple from two continents

MAPEX BIRCH

The sound of the drums is warm and clear. The impact is distinct, but not sharp, the sustain is even. These drums have a rich sound when backed up. The bass drum in this kit is more versatile as it has a smooth, velvety tone than a maple bass drum.

PEARL VISION

VBL Vision is Pearl’s most affordable Birch shell pack, long recognised for its focused; naturally EQ’d sound and ideal for both stage and studio. This Fusion pack consists largely of a 22″ x 18″ bass drum, 10″ x 8″ tom, 12″ x 9″ tom and 14″ x 14″ floor tom as well as a Sensitone snare. The SensiTone 14″ snare drum has a 5.5″ steel shell, which projects intense volume with articulate response for dynamic power and cut.

ZILDJIAN K CYMBAL PACK

Features 14″ Hi Hats, 16″ and 18″ K Dark Crash Thin, 20″ K Ride. A complete dark sound designed for maximum performance

PAISTE 2002 CYMBAL PACK

17″ & 19″ 2002 Crash, 20″ 2002 Ride, 14″ Sound Edge Hi-Hats.

Paiste 2002s harness the natural brightness and projection of B8 bronze (AKA 2002 bronze) and turn it into something magical. The result is a musical-sounding set of cymbals that project in a way that your B20 cymbals never will.

PAISTE ALPHA CYMBAL PACK

This cymbal set from the popular Alpha series by Paiste is aimed at advanced and (semi-)professional drummers. Consisting of 14″ hi-hat, 16″ and 18″ Crash and 20″ ride, it forms a complete set for standard setups.

ROLAND SPD-SX SAMPLING PAD

The new SPD-SX Sampling Pad puts powerful sample creation and playback under your sticks with innovative audio-capturing features, expressive playability, three multi-effects engines, and much more. The perfect addition to any acoustic or electronic drum kit, percussion setup, DJ booth, or keyboard rig, the SPD-SX is equally at home on the live stage, in the recording studio, pre-production suite, or dance club.

PEARL PREMERO PRO CONGA SET (11 3/4; 12,5)

The always popular Primero Pro congas from Pearl with professional features. The Primero Pro congas are 28 inches tall, making them a great option for seated play.

PEARL TIMBALES (14″; 15″)

The set consists of standard 14 and 15 inch drums fitted with Remo Clear Ambassador heads and packed with a ton of innovative features.

PEARL BONGOS

Pearl bongos are the choice of professional musicians the world over because of the sound, feel and look of these instruments.

PEARL PERCUSSION TABLE

Trap table, percussion drop shelf, stick cutouts, great place for stick drop and percussion effects

CAJON PEDAL

The pedal is connected to the beater by a chain-drive system, making it feel like you’re playing a bass drum.

MARSHALL JCM 900

This two channel dual reverb 100W powerhouse will make you stand out on stage. A stylish reissue, the JCM^®900 4100 is the evolution of the JCM800 adding another channel, two reverb options and two gain features. An amp built to go on the road and be on the stage with a sound loud enough to fill stadiums.

MARSHALL 1960A

The 1960A is the angled version that features four G12T-75 speakers and is the perfect addition to the stage or recording rig.

• 300-watt, 4 x 12″ angled cabinet
• 4/16-ohm mono or 8-ohm stereo
• 4 x 75-watt G12T-75 speakers
• Black grille cloth and white piping
• Large white logo
• Black elephant grain vinyl

MARSHALL 1960B

One of the world’s bestselling 4×12” cabinet, famed for its excellent sound. This cabinet is designed to deliver a big sound for live performances. 1960B has an authentic 60’s design and pack plenty of power with 300W.

MESA BOOGIE DUAL RECTIFIER

MESA / BOOGIE has had its famous and already established dual and triple Rectifier models revised to make them even more versatile. Here meticulous comparisons with its predecessors and also with the older 2-channel versions have been taken in. The goal was to take all those nuances that made the Rectifier a legend, and then to improve on those aspects.

• Power: Selectable 100/50 W per channel
• Class A / B power
• 4x 6L6 tubes
• 5x 12AX7 tubes
• 2x 5U4 tubes
• 3 Channels with 8 modes
• Selectable and channel assignable dual rectification (tube / silicon diodes) ​​per channel
• Series FX loop
• Slave Out
• Incl. 6-way footswitch, slip cover

MESA BOOGIE 412

The STANDARD Rectifier® 4×12 is THE “oversized” 4×12 by which other quad-box cabinets are judged. It was designed to be the perfect companion to the high gain revolution created by the Dual and Triple Rectifiers®, providing thundering low-end punch and resonance which is perfectly tuned with the smooth, tailored midrange and articulate, clear high-end.

ORANGE ROCKERVERB 100 MK2

The Orange Rockerverb 100 MKII is an all-tube, channel-switching guitar head with a wealth of classic British tones and unparalleled versatility and is a great update to the original. The MKII version has a more transparent FX loop, a mid-band EQ on the clean channel, and a bigger reverb with an additional tube to drive it. The two-stage clean channel of the Rockerverb MKII head chimes and sparkles, but when pushed to the top of its range emits a natural power tube breakup that’ll bring a tear to your eye.

ORANGE PPC412AD

The PPC412AD is the angled-front version of the hugely popular PPC412 4×12 cabinet. With four Celestion Vintage 30 speakers, the slanted baffle produces rich mids and crisp, sparkling highs with outstanding vertical projection. These cabs conquer the problem of poor on-stage monitoring, whilst dispersing the sound in more directions than a conventional cabinet. The PPC412AD shares the same constructional techniques and materials as the straight-front version. Each PPC412AD is made in England from high density, 13 ply 18mm Baltic birch plywood and fitted with steel hardware to withstand the rigours of the road. Our unique skid runners fitted to the base helps to acoustically couple our cabinets to the stage for a fuller low end response, whilst our signature paper grille cloth contributes to the unmistakable magic of the Orange 4×12.

FENDER TWIN AMP

The Fender Twin Amp is a professional 100/25 Watt, 2 x 12″ tube combo amp for electric guitar.

FENDER TWIN REVERB

A true Fender classic prized by guitarists worldwide for decades and one of the greatest backline amps ever made. The mid-’60s Twin Reverb has seen action in every imaginable venue and remains indispensable to this day. Be it rock, blues, country, jazz or anything else, this is what clean electric guitar sounds like. With its dual 12″ speakers, timeless look and essential sound, the ’65 Twin Reverb® is a truly magnificent tone machine that takes you back to an electrifying era with defining Fender sound and style.

FENDER SUPER-SONIC TWIN

Fender Super-Sonic Twin – 2-channel guitar tube combo, 100W, 2×12″, tubes 7 x 12AX7, 4 x 6L6, 2 x 12AT7 (reverb), controls: vintage channel – Gain, Treble, Bass, Mid, Volume , Twin Reverb®/Bassman® Switch, burn channel – Gain 1, Gain 2, Treble, Bass, Mid, Notch Tune, Volume Reverb, Send Level, Return Level, Damping Control.

FENDER DEVILLE

After listening to feedback from hundreds of players, we’ve redesigned the Hot Rod DeVille 212 IV, updating it with modified preamp circuitry, smoother-sounding spring reverb and updated aesthetics that any player can appreciate. The standard for gigging guitarists worldwide, this scorching 60-watt 2×12″ combo delivers the goods and then some with hot-rodded power and performance to spare.

FENDER DELUXE

The handwired ’57 Custom Deluxe is a bit of electronic wizardry—an extraordinary amplifier with stunning clean tone and the complex, organic overdrive guitarists crave. Based on the original highly sought-after collector’s piece, this two-channel combo sings and snarls with the authentic Fender sound that birthed rock ‘n’ roll.

VOX AC30C2X

The AC30C2X is the most versatile AC30 in Vox history! Plug into this Custom Series guitar amp and you’ll hear what we mean. Based on the classic AC30 design, the exciting new AC30C2X offers two channels – normal and top boost. Claim your own classic sound using the top boost channel’s treble and bass controls while tweaking the tone cut and volume controls in the master section. When you balance the individual and master volumes, you can score everything from a classic chimey Vox sound to an edgy, overdriven tone. And we haven’t even mentioned the AC30C2X’s onboard reverb and tremolo yet.

MARSHALL-AS50D

The AS50D from Marshall Amplification is a 2-channel acoustic guitar combo amplifier well suited for small and mid-sized venues that can function as a full PA for solo performers. This 50W amplifier features two specially designed 8″ Celestion drivers, and a polymer dome tweeter to deliver full range sound that is clear and powerful.Channel one provides a Hi-Z 1/4″ instrument input, while channel two provides a 1/4″ instrument input, an XLR microphone input, and stereo RCA auxiliary inputs, for instrument, vocal, or backing track amplification. Both channels offer dedicated volume, treble, and bass controls.

AMPEG SVT-4 PRO BASS HEAD

In the world of high-performance bass amps, Ampeg’s SVT amplifiers are in a class by themselves. In true Ampeg tradition, the SVT-4 PRO offers you more power, performance and flexibility than any other bass amplifier in its class.

• RMS Power Output: 300-Watts x 2/900 (mono-bridged @ 8 Ohms)
• RMS Power Output: 490-Watts x 2/1200 (mono-bridged @ 4 Ohms)
• RMS Power Output (2 Ohms): 600-Watts x 2
• Preamp: Tubes (3 x 12AX7)
• Power Amp: Solid State
• Tone Controls: 3-Band
• Mid Tone Control: 5-Position
• Graphic EQ: Yes, 9-Band
• Ultra Low/High Boosts: Yes
• Balanced Line Out: Yes x 2 Pre/Post with Level
• Effects Loop: Yes x 2
• Preamp Out/Power Amp In: Yes x 2
• Dimensions (W x H x D inches): 19 x 5.6 x 15.5
• Weight: 39.5 Pounds

AMPEG SVT-7 PRO BASS HEAD

The SVT-7PRO pumps out a ferocious kilowatt of pure Ampeg tone in a compact design that weighs in at just 15lbs. The SVT-7PRO features the same professional features as the other PRO Series heads including a flexible 5-position mid tone control, remote switching FX loop and a sleek onboard variable compressor. The tube preamp boasts a premium JJ 12AX7 that feeds the weight-defying Class-D power section.

• RMS power output:
  • 1000 watts @ 4 ohms
  • 600 watts @ 8 ohms
• Preamp: Tube ( 1 × JJ 12AX7)
• Power amp: Class D
• Tone controls: Bass, mid, treble
• Mid-tone control: 5-position
• Ultra Lo/Hi boosts
• Onboard variable compressor
• Transformer balanced line out
• Includes removable rack ears
• Power supply: Switching
• Weight: 15.5 lbs / 7 kg

AMPEG 810 BASS ENCLOSURE

The SVT-810E Infinite Baffle™ design has remained constant since 1969 and delivers the punchy, round sound that defines the Ampeg tone. The combined air-moving capability of eight 10″ speakers reacts faster to transients than fifteens or eighteens. The result is sound you can feel, that the audience can feel and that truly delivers what you want out of a bass rig. Simply put, the SVT-810E produces the vast amounts of tightly focused bass your band needs. In the world of high-performance bass cabs, the Ampeg SVT-810E stands tall and proud.

• LF Drivers: 8 x 10”
• Voice Coil: 2”
• Magnet Weight (each): 30 oz
• RMS Power Handling: 2 x 400-Watts (Stereo)
• RMS Power Handling: 800-Watts (Mono)
• Frequency Response (-3dB): 58Hz-5kHz
• Usable Low Frequency (-10dB): 40Hz
• Nominal Impedance: 2 x 8-Ohms (Stereo)
• Nominal Impedance: 4-Ohms (Mono)
• Sensitivity: 100dB
• Maximum SPL: 130dB
• Dimensions (W x H x D inches): 26 x 48 x 16
• Shipping Weight: 165 Pounds
• Handling Weight: 140 Pounds

AMPEG 410 BASS ENCLOSURE

The SVT-410HLF delivers devastating low-end bass, all the way down to 28Hz, thanks to four 10” speakers working together to move a tremendous amount of air. The SVT-410HLF also delivers superb top-end, thanks to its 1” horn driver, strategically crossed over at 4kHz.

• LF Drivers: 4 x 10”
• Voice Coil: 2”
• Magnet Weight (each): 30 oz
• HF Drivers: Horn/Driver
• Voice Coil: 1”
• Magnet Weight (each): 8 oz
• RMS Power Handling: 500-Watts
• Frequency Response (-3dB): 48Hz-18kHz
• Usable Low Frequency (-10dB): 28Hz
• Nominal Impedance: 4-Ohms
• Sensitivity: 98dB
• Maximum SPL: 125dB
• Dimensions (W x H x D inches): 24 x 30 x 19
• Shipping Weight: 110 Pounds
• Handling Weight: 85 Pounds

MARKBASS LITTLE MARK NINJA 1000W BASS HEAD

Co-designed with Markbass artist Richard Bona, the Little Mark Ninja first and foremost respects the priority of tone that has driven the international success of Little Mark’s heads, upgraded with an astounding 1,000W power amp. It gives a massive amount of power, exceptionally clear and dynamic, and performs flawlessly thanks to the cutting-edge Markbass Proprietary Technology.

MARKBASS STANDARD 108 HR

With 8×10 speakers it is always one thing: here the right one with neat power reserves for the big gigs, the ultimate fun or just for the adult, mature sound.

ORANGE TERROR BASS

Though the circuit is completely new, the Terror Bass retains the control layout from the original amp, with the addition of a Clean switch. This reduces gain and smoothes the top-end, giving this super-simple amp an even greater range of tones than its predecessor. From clean Pop sounds through to gritty Rock crunch, the Terror Bass can do it all. There’s also a -6dB pad switch, meaning active and passive instruments are equally well catered for.

ORANGE OBC410

This superb bass enclosure is made from 13 ply high density 18mm birch plywood, with tough skids on the base of the cabinet for enhanced stage protection. The skids also act to couple the enclosure to the floor, thereby increasing bass response. Internally, the enclosure is acoustically compartmented for strength and anti-vibration. OBC410 cabs features a high-powered Eminence APT80 horn with switchable hi/lo/off located on the rear of the cab. The low position reduces the output of the horn by 6dB.

ORANGE OBC115

This superb bass enclosure is made from 13 ply high density 18mm birch plywood, with tough skids on the base of the cabinet for enhanced stage protection. The skids also act to couple the enclosure to the floor, thereby increasing bass response. Internally, the enclosure is acoustically compartmented for strength and anti-vibration. The OBC115 is side-ported, allowing for speaker self-correction.

ORANGE CRUSH-100BXT

• Power: 100 W
• Components: 1x 15″ Speaker
• Controls: Volume, Treble, Middle, (Mid) Freq., Bass, Blend, Gain
• FX Loop
• Built-in tuner
• Analog signal path
• AUX input
• Headphone jack with Cabsim circuitry
• Dimensions (H x W x D): 550 x 510 x 355 mm
• Weight: 24.25 kg

TC ELECTRONIC BG250 115 MKII

BG250-115 may be ultra-portable, but it still houses all the things that make a great bass combo. It’s light yet powerful, features super versatile tone shaping tools and it has an onboard tuner specifically calibrated for bass, spanning six strings.

AMPEG 115HLF

Ampeg’s PN-115HLF is a modern, lightweight bass enclosure built to handle the power of high-output Ampeg bass heads. Designed and assembled in the U.S.A. out of the highest quality components, including a single custom-designed 15-inch neodymium Eminence® woofer, the PN-115HLF delivers high-quality, high-output bass in a modern design that looks mean and plays meaner.

• 15″ custom US-made Eminence LF driver
• 575 watts RMS power handling @ 8 ohms
• 1″ Eminence APT:50 HF driver w/L-Pad level control
• Frequency response: 28Hz – 10kHz
• Max SPL: 128dB
• Sensitivity: 98dB
• Weight: 59 lbs

YAMAHA MOTIF XF8 (88) keyboard instrument

The YAMAHA MOTIF XF8 is a Motif series workstation from the Japanese company Yamaha. It has a wide built-in set of functions and at the same time simple intuitive control.
Motif series stations are equipped with high-quality keyboards with the FSX system , which is very silent and responsive to touch.
This series of instruments has an amazing set of timbres and sounds of various musical instruments , including, of course, piano, string instruments, wind instruments, and various electronic instruments.

NORD STAGE 3 (88) keyboard instrument

This outstanding flagship instrument features the latest award-winning technologies including the Nord Lead A1 Synth Engine with sample playback, the acclaimed Nord C2D organ, a greatly enhanced Piano Section and extensive hands-on Effects – all in one exceptional performance keyboard.

NORD STAGE 2 (88) keyboard instrument

The Nord Stage 2 features Nord Sample Library-compatibility, the B3 and transistor organ engine from the C2, MIDI over USB and more memory for your favorite sounds. All in an amazingly user friendly interface where all vital functions are only button away.

NORD STAGE 2 EX (88) keyboard instrument

The Nord Stage 2 EX updates the flagship instrument line with 1 GB memory for the Nord Piano Library and a new ultra lightweight Hammer Action Portable HP76 model.  This outstanding new Factory Bank features 5 Grand Pianos, 7 Upright Pianos, 11 Electric Pianos, Clavinet, Harpsichords and a vastly improved Nord Sample Library selection including great new Strings, Choir and Folk instruments.

The Nord Stage 2 EX features award winning Piano, Organ and Synthesizer technologies combined with a well thought-out, user friendly interface, a choice of premium keybeds and an almost obsessive level of quality control. The Stage 2 EX truly sets itself apart as an instrument for the professional performing musician.

ROLAND RD-2000 (88) keyboard instrument

Equipped with two independent sound engines, premium action, and advanced controller features, the Roland RD-2000 delivers unmatched performance on stage and in the studio. Blending evolved piano technologies with extensive modern control, this next-generation instrument takes the industry-standard stage piano series to new levels of inspiration and creativity. Version 1.50 software adds new sounds joining the latest piano models already onboard as well as historic RD stage piano series available from Roland’s Axial website.

NORD ELECTRO 4 keyboard instrument

The Nord Electro 4 series feature everything from the award winning Electro 3 series, adding the acclaimed Nord C2D tone wheel engine and 122 Rotary Speaker simulation, USB MIDI and more.

CODE 61 keyboard instrument

The black Code 61 from M-Audio is a USB bus-powered MIDI keyboard controller that features 61 semi-weighted keys, 16 velocity-sensitive backlit trigger pads, and an X/Y touch pad. This controller is ideal for keyboardists, producers, and composers; it can be used in the studio or onstage.

KORG TRITON EXTREME 61 keyboard instrument

The model Triton Extreme 61 has a set of new high-quality sounds, built-in tube processing circuit, built-in USB interface, the ability to burn CDs and many other new features. The instrument offered 160 MB of internal sound memory which comprised a rich set of high-quality samples, including: guitars, woodwinds and brass instruments, choirs, concert grand pianos, organs.

AXIOM 61 (MIDI) keyboard instrument

The M-Audio^® Axiom^® 61 controller combines all the production power and performance you need to get the most from your music software and MIDI gear. More than just a “data entry” controller, the Axiom 61 features piano-style, semi-weighted keys for a musically satisfying playing experience. Large dynamic trigger pads make it easy to program beats and trigger one-shot samples—while the encoder knobs, faders, and buttons deliver complete real-time control over your software. DirectLink mode provides easy, automatic access to common DAW functions* including transport, mixer, track pan, and virtual instrument parameters—no complicated setup required. Axiom 61 even features a sleek, angled top panel for easy viewing in any environment.

AXIOM 49 (MIDI) keyboard instrument

The M-Audio^® Axiom^® 49 controller combines all the production power and performance you need to get the most from your music software and MIDI gear. More than just a “data entry” controller, the Axiom 49 features piano-style, semi-weighted keys for a musically satisfying playing experience. Large dynamic trigger pads make it easy to program beats and trigger one-shot samples—while the encoder knobs, faders, and buttons deliver complete real-time control over your software. DirectLink mode provides easy, automatic access to common DAW functions including transport, mixer, track pan, and virtual instrument parameters—no complicated setup required. Axiom 49 even features a sleek, angled top panel for easy viewing in any environment.

YAMAHA CLAVINOVA CVP 309

This is a high end digital grand Clavinova made by Yamaha. It has real wooden keys for a great playing experience. The piano sound is detailed with multiple recordings of each key of a premium concert grand. So the sound realism and expression is on a very high level.

FENDER STRATOCASTER

The inspiring sound of a Stratocaster is one of the foundations of Fender. Featuring this classic sound—bell-like high end, punchy mids and robust low end, combined with crystal-clear articulation—the Player Stratocaster is packed with authentic Fender feel and style. It’s ready to serve your musical vision, it’s versatile enough to handle any style of music and it’s the perfect platform for creating your own sound.

• Alder body with gloss finish
• Three Player Series single-coil Stratocaster pickups
• “Modern C”-shaped neck profile
• 9.5″-radius fingerboard
• 2-point tremolo bridge with bent-steel saddles

FENDER TELECASTER

The Fender Telecaster is a great handy instrument with a bright, flexible sound. Combines the best of and new guitars: a glossy maple neck, 2 classic single-coil and bridge pickups, listening to the strings through the body.

GIBSON LES PAUL STUDIO

The Gibson Les Paul Studio is celebrated by live performers and session players alike. The modern Studio covers even wider sonic territory with its coil-tapped 490R/498T humbucking pickups. This combination unlocks plenty of creative textures to flesh out musical ideas, from classic cleans and modern crunch to single-coil cluck. This Studio also benefits from an Ultra-modern weight-relieved body; this reduction of more than a pound in weight provides extra comfort for extended sessions and performances. A feature your fingers will thank you for is the SlimTaper mahogany neck, which re-creates the speed and playability that some of the ’60s Les Pauls are known for. Dependable Grover Rotomatic tuners keep this Gibson Les Paul Studio pitch-perfect and ready to rock.

GIBSON ES-335

The Gibson ES-335 DOT is the cornerstone of the Gibson ES line-up. From its inaugural appearance in 1958, the Gibson ES-335 set an unmatched standard. The pearloid dot inlay rosewood fingerboard on a hand-rolled Rounded “C” mahogany neck remind players where it all started. Gibson’s Calibrated T-Type humbucking pickups are paired with our hand-wired control assembly. The result is that versatile Gibson ES tone that players have craved for over 60 years. Tuning stability and precise intonation are provided by the Vintage Deluxe tuners with Keystone buttons, paired with light weight Aluminum ABR-1 bridge and Stop Bar tailpiece, anchored by steel thumb-wheels and tailpiece studs.

FENDER JAZZ BASS 5STRINGS

American Ultra is most advanced series of guitars and basses for discerning players who demand the ultimate in precision, performance and tone. The American Ultra Jazz Bass V features a unique “Modern D” neck profile for hours of playing comfort, and the tapered neck heel allows easy access to the highest register. A speedy 10”-14” compound-radius fingerboard with 21 medium-jumbo frets means effortless action, while the Ultra Noiseless™ Vintage pickups and redesigned preamp provide endless tonal possibilities – without hum. The sculpted rear body contours are as beautiful as they are functional. This versatile, state-of-the-art instrument will inspire you to push your playing to new heights.

FENDER PRECISION 4 STRINGS

Looking for classic P Bass sound and style? Then pick up the Fender Player Series Precision Bass. It provides the quintessential P Bass experience — with the playability you’d expect from a modern instrument. Lay down the groove with classic fat tones, by way of an Alnico V split-coil pickup. Experience a great fast feel, thanks to a Modern “C” neck profile and contemporary 9.5″ fingerboard radius

TAYLOR 414 CE

6-String, Sitka Spruce Top, Ovangkol Back and Sides, Tropical Mahogany Neck, West African Crelicam Ebony Fretboard, Expression System® 2 Electronics, Venetian Cutaway, Taylor Deluxe Hardshell Brown Case

MARTIN D-28

The D-28 is all-time favorite Martin; it is the standard to which all acoustic guitars are compared. Affectionately dubbed the “tone cannon,” the D-28 deploys classic rich tone and powerful projection that’s perfect for stage and studio. Martin has re-imagined the D-28, blending the rich legacy of the guitar with their latest innovations. Vintage appointments include open-gear tuners, an aged toner top, antique white accents, and faux tortoise pickguard. Forward-shifted bracing allows for greater vibration of the top, while a modern neck profile gives you improved comfort and playability. We spend a lot of time with acoustic guitars at Sweetwater, and this D-28 delivers the iconic Martin sound by the boatload.

YAMAHA NCX700

NCX700 is the basic model of the Yamaha`s NCX series of acoustic-electric classical guitars. These powered up nylon-stringers are among the finest choices in their price class. NCX700 comes with a standard shaped body with single cutaway construction. It is available only in natural color with high gloss finish. Back and side panels on this model are made of rosewood, while the top panel is made of spruce. This spruce sound board is equipped with natural binding and series standard rosette. In the bridge section, Yamaha installs a standard shaped bridge made of ebony. Electronics are made up of under-saddle pickup and side-mounted System61 preamp. Neck on this model is made of mahogany and it is topped with an ebony fingerboard. 19 frets, flat radius and 2.04″ wide synthetic bone nut complete the fingerboard.

FENDER TIM ARMSTRONG DELUXE

The Tim Armstrong Deluxe features a solid mahogany top, bone nut and saddle, dot fingerboard inlays and Fishman Neo-D soundhole pickup with end pink jack. Available in both right-handed and left-handed models, the Tim Armstrong Deluxe features a solid mahogany top, bone nut and saddle, dot fingerboard inlays and Fishman Neo-D soundhole pickup with end pink jack (just like Armstrong’s modded guitar).

DPA 4099 Instrument Microphone

From the piano to guitar; strings to woodwinds; brass to percussion, the 4099 Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.The award-winning 4099 Series gives you a much more natural sound than any clip-on microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument.

AKG С-414

The AKG C414 is a professional grade vocal condenser microphone. The microphone has five polar patterns. The professional condenser microphone is ideal for use in recording studios, television and broadcasting. The microphone is ideal for professional sounding of speech, musical instruments and other sound sources.

AKG С-451

The AKG C451 microphone delivers the highest sound quality and fidelity.

The reference small diaphragm is capable of capturing the finest details of any instrument thanks to the lightness of the diaphragm and the sophisticated acoustic design. This makes it a good choice for accurately capturing drums, percussion, acoustic guitar and overhead miking.

BEYERDYNAMIC — MCE86

Highly directional gun condenser microphone powered by phantom power.

SHURE BETA 52

The microphone is optimized for low bass frequencies. Used for bass drum.

SHURE BETA 91

The Shure Beta 91A is designed for use with kick drums, piano and other traditional low frequency applications. Tailored for bass-heavy environments, this microphone features a powerful low frequency response and integrated preamplifier and XLR connection for easy setup and minimal stage clutter. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPLs).

SHURE BETA 98

Miniature microphone with cable and built-in preamplifier (use with radio system). The microphone is designed to pick up sound from wind or percussion instruments, percussion. It has an extended frequency range. Most natural sound reproduction

SHURE SM 57

Cardioid dynamic instrument microphone offers clean reproduction of amplified and acoustic instruments. Features include contoured frequency response for rich vocal pickup, background noise reduction, and a pneumatic shock mount system.

PIONEER DJ CDJ-900 NXS Professional Multi-Player

Building upon the success of the original CDJ-900, the Pioneer CDJ-900 Nexus – Professional Multi Player is a CD, USB, and Wi-Fi enabled audio deck capable of playing WAV, AIFF, MP3, and AAC files. The unit features a 24-bit / 96 kHz professional-quality DAC processor, the Pro DJ Link system, wireless functionality, and a full color LCD display.

The media player has a front-loading CD drive, which can read manufactured audio CDs as well as CD-R/RWs. External storage devices, such as flash drives, connect to the USB type-A port on the top panel. The CDJ can utilize these sources without any assistance from a computer. The Pro DJ Link system allows up to four decks to be linked together over LAN cables to share audio sources. Music from a hard drive or USB flash device can be cued up and remotely played from any deck in the array.

PIONEER CDJ-2000 NXS2

The new Pioneer DJ CDJ2000 NXS2 has had a screen upgrade with a high resolution touch screen display for more intuitive control and improved browsing.

The CDJ2000 NXS2 also has the addition of a Qwerty keyboard and Track filter search which gives the DJ even more control over Rekordbox.
Within the new full colour high resolution screen on the CDJ2000 Nexus 2 you get a more detailed view of Rekordbox information and instant access to all the pro features.

PIONEER DJ DJM-900 NXS2

The Pioneer DJ DJM-900NXS2 is a professional DJ mixer well suited for professional mobile DJs, nightclub installations, recording studios, and more. The mixer features a 4-channel layout and an integrated USB soundcard with support for up to 4 stereo channels of 24-bit / 96 kHz audio. Its digital throughput also delivers a wide variety of DSP effects.
The mixer features Pioneer’s Sound Color, Beat, and Frequency effects, and its X-Pad touch pad lets DJs manipulate and apply effects in real time. There are four inputs for turntables and four line-level inputs for digital decks. Additional features include Pro DJ Link, four S/PDIF digital input connections, one S/PDIF digital output connection, two top-mounted USB connections, and an additional USB port that supports iOS devices for use with Pioneer’s optional RMX-1000 for iPad. An independent Send & Return section allows for external effects to be used simultaneously with the internal effects. The DJM900 NXS2 ships with a power cord and a USB cable.

PIONEER DJM-900 NXS MIXER

The Pioneer DJM-900 NXS is a four-channel mixer with several beat and audio manipulation effects controlled by the device’s X-Pad. A mic can be plugged-in as well as a USB stick. The DJM-900 NXS is compatible with Traktor and Ableton and can be connected to up to four CDJs.

The DJM-900 NXS has a three-band EQ, a separate EQ for the mic, trim knobs and several fade curve options. Standard XLR and RCA outputs for connecting to PA different systems and a 1/8” headphone jack for monitoring.

The screen displays the waveform and BPM and is placed just above the Tap and Quantize buttons.